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Jazz Articles about John Medeski

12
Album Review

John Zorn: Gnosis: The Inner Light

Read "Gnosis: The Inner Light" reviewed by Nenad Georgievski


John Zorn's album Gnosis: The Inner Light serves as a poignant memorial and homage to the creative genius of one of modern music's most visionary composers, Ennio Morricone, who played a vital role in shaping Zorn's musical path. Decades ago, Zorn captivated audiences with The Big Gundown (Nonesuch, 1986), a groundbreaking release that boldly reimagined Morricone's compositions. Now, with Gnosis: The Inner Light, Zorn once again pays tribute to the maestro's enduring influence, delving into mystical realms and creating a ...

5
Album Review

Club d'Elf: You Never Know

Read "You Never Know" reviewed by Chris M. Slawecki


You Never Know is the Club d'Elf studio album that captures the whirling, overlapping orbits of acoustic, electric and exotic sounds of the floating improvisational collective, which has recorded and performed together for more than two decades, with crisp studio clarity. But more importantly, You Never Know celebrates light born from darkness. Bassist and bandleader Mike Rivard, the sole constant in the collective's 24-year run, suffered a near-death experience from a pulmonary embolism which struck him while he ...

2
Radio & Podcasts

For John Medeski music has always been about healing

Read "For John Medeski music has always been about healing" reviewed by Leo Sidran


For John Medeski, music has always been about healing. “Music just kind of sucked me up," he says. “For me having music was a great way to deal with the hard things in life.Best known as one-third of the avant-garde jazz / funk trio Medeski, Martin & Wood along with Billy Martin and Chris Wood (aka MMW), Medeski began playing piano as a kid, growing up in Florida. By high school, he was sitting in with the likes ...

6
Album Review

Will Bernard: Pond Life

Read "Pond Life" reviewed by Mark Corroto


All great performances, be they athletic or musical, start with a solid base. For guitarist Will Bernard that is a trio with drummer Ches Smith (Ceramic Dog, Snakeoil) and completing Bernard's bass (sic) with both the acoustic and electric input of bassist Chris Lightcap. Upon this foundation Bernard is inspired to expand his music with the help of keyboardist John Medeski and saxophonist Tim Berne. Medeski can be heard on the guitarist's 2008 album Blue Plate Special (Palmetto Records) and ...

12
Album Review

Club D'Elf: You Never Know

Read "You Never Know" reviewed by Chris May


Near-death experiences can reboot the mind, separating the important from the trivial. It seems to have worked like that for bassist and composer Mike Rivard, founder and leader of Boston's world-dub-jazz band Club D'Elf. A few years back, Rivard was nearly felled by a pulmonary embolism while seeking spiritual insight in the Amazonian rain forest. A long, dark period of depression followed, before Rivard emerged recharged into the light, having been sustained in large part by gnawa, the Moroccan trance ...

5
Album Review

Jeff Cosgrove / John Medeski / Jeff Lederer: History Gets Ahead of the Story

Read "History Gets Ahead of the Story" reviewed by Jerome Wilson


William Parker gets deserved acclaim for his abilities as a bassist and his activism and leadership in the avant jazz community but not as much for his composing. Drummer Jeff Cosgrove tries to correct that with this project that features Parker's music played by an organ trio with no bassist. Cosgrove's partners in this venture are John Medeski on organ and Jeff Lederer on various reeds. Both are adept at covering the wide variety of gut-bucket grooves, spiritual ...

5
Album Review

Jeff Cosgrove, John Medeski, Jeff Lederer: History Gets Ahead of the Story

Read "History Gets Ahead of the Story" reviewed by Ian Patterson


The striking absence of a bassist on this organ-trio tribute to William Parker speaks volumes about the singular approach that Jeff Cosgrove, John Medeski and Jeff Lederer have taken to the compositions of a modern jazz great. Parker's music is so diverse, his output so vast, that a cohesive overview would be difficult to distil onto a single CD, so perhaps for this reason the trio narrows its focus to Parker's post-2000 small ensembles, and in particular the bassist's quartet ...


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