Jazz Articles about Efzeg

About Efzeg

180

Album Review

I initially became acquainted with this Vienna-based electro-acoustic outfit through Grain (Duran, 2000). With saxophones, turntables, and the addition of high-tech instrumentation, Krom further develops Efzeg's microtonal and minimalistic methodology.

The group often explores a gnomic musical panorama, intimating a rather solitary existence of barely detectable turntable scratches, subliminal effects and trance-like passages. Dynamics are subtle here, but oscillating electronics enliven a quaint directive, translating into a wide-open sound-plane. At times these expansive works seamlessly disappear into a ...

158

Album Review

efzeg: Grain

by Glenn Astarita
February 1, 2001

Austria-based “EFZEG” presents an unlikely union of disparate electro-acoustic instrumentation, equating to a recording that should prod the listener’s deepest sensibilities. With this recent release for the often adventurous “Durian” record label, saxophonist Boris Hauf aligns his multifaceted implementations with guitarists Martin Siewert and Burkhard Stangl who also chip in with the EFX chores, whereas someone known as Dieb13 handles the turntables.

Essentially, Grain is all about stark expressionism as the quartet renders three lengthy pieces consisting of ominous sounding ...