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Jazz Articles about Janet Feder

3
Album Review

Janet Feder: T H I S C L O S E

Read "T H I S C L O S E" reviewed by Eyal Hareuveni


Colorado-based guitarist Janet Feder has developed a highly personal musical language, drawing inspiration from folk, jazz, minimalism, classical, avant-garde and even pop. Since the early nineties she began experimenting with her guitar, preparing it in different tunings, attaching objects to the strings, developing a unique original sound of her own. T H I S C L O S E, her fifth solo album, is Feder's most fully realized album, featuring nine haunting songs. She manages to create a ...

4
Album Review

Janet Feder: Songs With Words

Read "Songs With Words" reviewed by Eyal Hareuveni


Innovative guitarist Janet Feder draws her own sonic territory on this first collection of original songs. The Colorado-based guitarist is known for her extended techniques on the prepared guitar, and her work was first introduced to the wider public on the like-minded collection of innovative guitarists I Never Meta Guitar--Solo Guitars for the XXI Century) (Clean Feed, 2010). Prior to that, she recorded with close conspirators such as Fred Frith on Ironic Universe. Songs with Words was ...

165
Album Review

Janet Feder & Fred Frith: Ironic Universe

Read "Ironic Universe" reviewed by Nic Jones


On the basis of this evidence, Janet Feder is as concerned with the intrinsic qualities of the acoustic guitar as an instrument as she is with technique, correct or otherwise--and this is borne out by the fact that she chose to perform duets with Fred Frith, whose journey of sonic exploration has been going on for decades now. Both players seem to opt for an accomodationist strategy, and the resulting music is amongst other things the product of a healthy ...

231
Album Review

Janet Feder + Fred Frith: Ironic Universe

Read "Ironic Universe" reviewed by Glenn Astarita


Janet Feder and eminent guitarist/improviser Fred Frith perform twelve duet pieces on audio disc one of Ironic Universe as vacillating undercurrents, utilizing atypical tonal contrasts and implementations such as tapping sounds. With folk-ish overtones and similarities to the late John Fahey's complex chord phrasings, the duo also intertwines avant frameworks into this congenial set. At times it seems that the artists are using some sort of mic-generated processing techniques to produce reverberant effects and chord-based strings swashes. Nonetheless, there are ...


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