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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

INTERVIEW

Mark Sherman: Truth Of Who I Am

Read "Mark Sherman: Truth Of Who I Am" reviewed by DanMichael Reyes

Vibraphonist Mark Sherman likes using the term consummate to describe musicians and colleagues that he's played with. While it would be difficult to speak to every notable musician that Sherman's played for and ask about their opinion about Juilliard graduate and professor, it is safe to assume that they would also describe Sherman as a consummate musician. Mark Sherman has enjoyed a career as a leader with over a dozen albums under his name. While Sherman's albums as ...

ALBUM REVIEW

Mark Sherman: L. A. Sessions

Read "L. A. Sessions" reviewed by Larry Taylor

Vibraphonist Mark Sherman has had a longstanding desire to release an album featuring some of his favorite bebop and standard tunes. Now, in L.A. Sessions, this dream comes true, with happy results.These jazz gems from a half-century ago are played in the tradition, but Sherman and his cohorts lovingly add luster. Chief help comes from Bill Cunliffe, on Hammond B-3 organ (rather than his usual piano), and masterful guitarist John Chiodini, a favorite on the Southern California club ...

LIVE REVIEW

Mark Sherman at the Crowne Plaza Hotel, Los Angeles

Read "Mark Sherman at the Crowne Plaza Hotel, Los Angeles" reviewed by Jim Santella

Mark Sherman Jazz Brasserie at the Crowne Plaza Hotel Los Angeles, CA January 29, 2009

The Jazz Brasserie at LA's Crowne Plaza Hotel is perfect for jazz, with its informal seating and focused performance platform. Situated not far from LAX, it's convenient for both Los Angelenos and longer haul travelers.

When vibraphonist Mark Sherman came to town--and hooked up with old friends pianist John Campbell, bassist Tony Dumas and drummer Paul Kreibich--he ...

ALBUM REVIEW

Mark Sherman Quartet: Live at the Bird's Eye

Read "Live at the Bird's Eye" reviewed by Eyal Hareuveni

This two-disc live documentation of vibraphonist Mark Sherman's quartet captures a working band at its best. Beautifully recorded before an appreciative audience at the Bird's Eye club in Basel, Switzerland, the quartet delivers a very joyful presentation of their repertoire: Sherman's and pianist Allen Farnham's original compositions coupled with a selection of standards referencing the glorious days of bebop and post-bop, infused with articulate, personal playing and an urgent rhythmic energy. Sherman is accompanied by Farnham who, in this live ...

ALBUM REVIEW

Mark Sherman: Family First

Read "Family First" reviewed by Budd Kopman

The eminently swinging Family First is vibraphonist Mark Sherman's second release with this working band, the previous one being One Step Closer (CAP, 2005). Sherman has been a stalwart of the mainstream scene for twenty years, and brings a true enthusiasm and deep love to this style of jazz. There can be no argument about the honesty of this recording. The main quartet--Sherman, Joe Magnarelli (trumpet/flugelhorn), Allen Farnham (piano) and Dean Johnson (bass)--are extremely tight, and together ...

ALBUM REVIEW

Mark Sherman: Family First

Read "Family First" reviewed by Michael P. Gladstone

Vibraphonist/composer Mark Sherman records as he has over the past twenty years and, unlike others who specialize on this instrument, continues to show no interest in expanding his sound to avant-garde or world music influences. What Sherman does exhibit is his use of Milt Jackson's blues and Bobby Hutcherson's shimmering vibes-style. Sherman's Family First again demonstrates that he is one of the best of the current vibraphonists on the scene. This album is very similar to One Step Closer (CAP, ...

ALBUM REVIEW

Mark Sherman: Family First

Read "Family First" reviewed by Eyal Hareuveni

Family First, by New York-based vibraphonist and educator Mark Sherman, revolves around similar concepts that reflect his spiritual, artistic, and personal priorities to reach, touch and move people. This is his second album with a working band that has developed a distinctive sound which includes the unison playing of Sherman's vibes and Joe Magnarelli's flugelhorn.

Sherman uses the ten pieces on the recording as vehicles for studying harmonic and rhythmic possibilities, mainly within the post-bop legacy. Examples include “Explorations, (a ...


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