Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

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Album Review

Vinnie Sperrazza Apocryphal: Hide Ye Idols

Read "Hide Ye Idols" reviewed by Troy Collins


Forward-thinking drummer Vinnie Sperrazza has proven to be an exceptionally creative and magnanimous bandleader; Hide Ye Idols expands well beyond the imaginative inroads made on Apocryphal, his impressive 2014 debut for Loyal Label. Conveying a distinctive group sound, the original lineup featured on his first album--alto saxophonist Loren Stillman, guitarist Brandon Seabrook, and bassist Eivind Opsvik--returns, now a touring unit with a namesake evoking its origins. Produced by Paris Monster's Geoff Kraly and mastered by Kneebody's Nate Wood, this modernistic ...

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Album Review

Vinnie Sperrazza: Juxtaposition

Read "Juxtaposition" reviewed by David A. Orthmann


The most intriguing thing about Juxtaposition, Vinnie Sperrazza's recently released recording, is its loose grip on the jazz tradition. The disc's twelve tracks don't come with a set of standard, recognizable references. Not unlike many of today's leading young artists, Sperrazza has absorbed the lessons of the music's past, and is currently interested in doing things on his own terms instead of dwelling in the accomplishments of his elders. The other essential aspect of the record is it's overall disposition--the ...

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Extended Analysis

Vinnie Sperrazza: Apocryphal

Read "Vinnie Sperrazza: Apocryphal" reviewed by Dave Wayne


An understated but highly-skilled and insanely versatile drummer in the vein of Kenny Wolleson, Jeff Hirshfield, and Paul Motian, Vinnie Sperrazza has been turning up on all sorts of interesting recordings over the past half-decade or so. Co-leader of 40Twenty with Jacob Sacks, Jacob Garchik, and Dave Ambrosio, Sperrazza is also in a trio with Sacks and bassist Masa Kamaguchi, and is one fourth of Hush Point; a brainy collaboration with veteran trumpeter John McNeil and alto saxophonist Jeremy Udden. ...

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Album Review

Vinnie Sperrazza: Peak Inn

Read "Peak Inn" reviewed by Clifford Allen


The piano trio is a medium that became immensely popular with Bill Evans' meteoric rise on the international scene in the '50s and has remained an astonishingly equilateral creative outlet for an extraordinary array of harmonic and rhythmic complexity. However, there aren't a lot of groups taking the chances available to them, instead mining the standard fake book or the popular canon in either a neo-romantic or wholly discordant manner. Peak Inn joins Brooklyn-based drummer Vinnie Sperrazza with regular sparring ...

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Album Review

Vinnie Sperrazza & Matt Blostein: Ursa Minor

Read "Ursa Minor" reviewed by Terrell Kent Holmes


The Vinnie Sperrazza/Matt Blostein Band sits boldly on the outer branches of the jazz tree. This group specializes in what might be described as art-house, a style defined by complex, cutting edge compositions and arrangements played at perfect pitch. Ursa Minor displays a balanced and impressive combination of color and substance. These tunes, penned by alto saxophonist Blostein or drummer Sperrazza (and in the case of “Liftoff," both) are poetic in structure, unfolding slowly to reveal a ...


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