Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

10

Album Review

Karl Seglem: NyeSongar.no

Read "NyeSongar.no" reviewed by Jakob Baekgaard


Looking at the cover of the album NyeSongar.no, there's no doubt that the Norwegian saxophonist and goat horn-player Karl Seglem is still exploring the Nordic aesthetic that he perfected on his album NORSKjazz.no (Ozella, 2009). The resemblance between the titles is striking and it is underlined by a Nordic iconography. NORSKjazz.no had an image of tall Norwegian trees and NyeSongar.no is graced by a photograph of an endless landscape covered by snow. In the foreground there is a stone and ...

385

Album Review

Karl Seglem: NORSKjazz.no

Read "NORSKjazz.no" reviewed by John Kelman


He's done everything from solo concerts on heavily processed goat horns to free improvisation duets with fellow Norwegian, percussionist Terje Isungset, but in a career spanning 20 years and including the more electronica-centric yet curiously timeless Urbs (NORCD Music, 2008), saxophonist Karl Seglem has never recorded an album with a conventional sax-piano-bass-drums quartet. Until now. NORSKjazz.no may use a time-tested format to deliver eight songs largely written by Seglem, but it remains deeply rooted in a more austere Norwegian jazz ...

296

Album Review

Karl Seglem: Ossicles

Read "Ossicles" reviewed by John Kelman


Saxophonist and goat/antelope hornist Karl Seglem has led a long and diverse career, both as a recording artist and as the head of NORCD, a label that reaches across a multitude of musical boundaries looking to be broken, linking them together with a decided focus on the traditional music of his native Norway. Despite an increasingly large and diverse discography as a leader, some of Seglem's relationships actually predate NORCD's creation. The group that released the folkloric-meets-electronica Urbs (NORCD/Ozella Music, ...

247

Album Review

Karl Seglem: urbs

Read "urbs" reviewed by John Kelman


Karl Seglem's solo performance at the 2006 Punkt festival in Kristiansand, Norway prompted the observation that he is, indeed, the Hendrix of the Goat Horn. That anyone could take such a pure and organic instrument, feed it through an array of effects and come out the other side with a mix of contemporary jazz, Norwegian folk music and more, made it one of the most ear-bending performances at a festival that continues to demonstrate just how far away from its ...


Engage

Contest Giveaways
Enter our latest contest giveaway sponsored by Sunnyside Records
Publisher's Desk
Get to Know Us (in 2021)
Read on.

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded albums and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, limited reopenings and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary step that will help musicians and venues now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the sticky footer ad). Thank you!

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.