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Don Braden: Earth Wind and Wonder, Vol. 2
by Jack Bowers
As on the first recording of this two-volume series, acclaimed tenor saxophonist Don Braden pays tribute to a couple of his coming-of-age idols, singer-songwriter Stevie Wonder and the genre-defying group Earth, Wind and Fire. Braden has chosen four of Wonder's compositions and three associated with EW&F to accompany a pair of his splendid original themes. Braden plays tenor saxophone most of the way, flute and alto flute, respectively on Wonder's “Bird of Beauty" and “Creepin.'" Needless to ...
read moreSheryl Bailey: Homage
by Jim Josselyn
Homage, Sheryl Bailey's 12th outing as a leader, is a welcome and well deserved musical love letter to the late, great Pat Martino. The opening track, with one of the great song titles in instrumental music history, “The Velvet Hammer," was written for Martino, and the decision to have keyboardist Miki Hayama play the Fender Rhodes throughout harkens back to one of Martino's masterpieces with Gil Goldstein, We'll Be Together Again (Muse, 1976). But make no mistake, Bailey ...
read moreTim Mayer: Keeper of the Flame
by Jack Bowers
On Keeper of the Flame, Tim Mayer, a Bostonian who now calls Mexico home, leads a sharp, swinging group of like-minded amigos on a (mostly) octet studio date enriched by Diego Rivera's colorful arrangements. Mayer plays tenor sax on half a dozen tracks, soprano sax on “Bye Bye Blackbird" and “Get Organized," alto flute on “Elusive." Mayer's tenor spans a bridge from early John Coltrane to George Coleman, Joe Henderson, Bob Mintzer and other post-bop patriarchs with a dash of ...
read moreMiki Hayama: Wide Angle
by Lyn Horton
Miki Hayama establishes an identifiable cadence in her piano language in Wide Angle. Her trio behaves as one organism; Hayama offers the fearless heartbeat. Hayama composed eight of the ten pieces on the recording. The rigorous tempos, even when moderate, bond the three instruments. The precision with which Hayama addresses the piano demonstrates her fascination with the minutest detail. Her strength lies in the quality of her treble arpeggiation ("What's Next") through which progressions she plants bass ...
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