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Alex LoRe & Weirdear: Evening Will Find Itself
by Maurizio Zerbo
Attraverso questo CD, gli appassionati italiani di jazz potranno conoscere e apprezzare Alex LoRe, uno dei più talentuosi sassofonisti emergenti dell'area newyorkese. Ispirato ai grandi modelli della grande tradizione jazzistica degli anni Sessanta, Evening Will Find Itself propone una musica ben costruita, interpretata col giusto pathos. Armonicamente e ritmicamente complesse, le dieci tracce del CD ed in particolare l'evocativo “Face Unseen" attualizzano la sontuosa lezione shorteriana, facendo leva sulle fantasiose doti improvvisative del quartetto. Oltre al ...
read moreJay Rattman: In the Towns
by Richard J Salvucci
Jay Rattman may not exactly be a household name to some jazz listeners and saxophone hounds. Perhaps he should be. Busy, literate, and creative, Rattman is that rare player who makes one think. In a juxtaposition of styles, genres, and horns, New York-based Rattman, could be accused of what was termed “formalism" in the good old days of Josef Stalin and the USSR. Formalism, some brave soul observed, sotto voce, was music not immediately understood upon first hearing. And so ...
read moreLucas Pino's No Net Nonet: That's a Computer
by Jerome Wilson
Lucas Pino is a New York-based tenor saxophonist who leads the No Net Nonet, a band that fits snugly into the jazz tradition but displays its own style of creativity. Despite what this CD's title suggests, this group's music is full of emotion and warmth. That is evident from the outset with “Antiquity," written by alto saxophonist Alex LoRe; this is a floating melody that meshes undulating lines of tenor, piano and guitar together within a cocoon of ...
read moreLucas Pino: That's a Computer
by Angelo Leonardi
Dal 2013 il sassofonista e compositore Lucas Pino dirige il suo “No Net Nonet" esibendosi tutti i mesi allo Smalls Jazz Club di New York, senza trascurare altre scritture. L'organico è nato nel 2009, da allora ha cambiato solo un componente e la regolarità del rapporto spiega la coesione e l'equilibrio evidenziati in questo terzo album. Recentemente il look di Pino è molto cambiato: il giovanotto modello anni cinquanta, con capelli corti ben pettinati, occhiali alla Cary ...
read moreLucas Pino: That's a Computer
by David A. Orthmann
Lucas Pino's No Net Nonet has claimed a piece of turf within the vast, sprawling, crowded field of the jazz mainstream. Its brilliantly conceived and executed efforts resist additional stylistic distinctions. Teamwork, mutually reinforcing concerns and a spirit of adventure infuse the seven tracks of That's A Computer. The compositions and arrangements by the leader, as well as one apiece by alto saxophonist Alex LoRe and guitarist Rafal Sarnecki, are bold, invigorating and rife with details that linger in memory. ...
read moreLucas Pino's No Net Nonet: That's a Computer
by Jack Bowers
Saxophonist Lucas Pino's adventurous New York-based No Net Nonet is on record for the third time with That's a Computer (yes, there's a story behind that but it's too lengthy to recount here), which underscores Pino's usual flair for anomalous compositions and arrangements. Except for drummer Jimmy Macbride, who came on board in 2017, every member of Pino's group has been there from the start, eight years earlier, and that's a nice harbor from which to set sail, as everyone ...
read moreDesmond White: Short Stories
by Dan Bilawsky
Size and substance are not reflective of one another. Some people mistakenly assume that grand-scale productions automatically deserve grand-scale receptions and small- scale artistry deserves to exist on the fringe. That makes about as much sense as holding a belief that novels, by their very nature, are of greater importance than short stories, but some people foolishly see it that way. They miss the point that it's the quality of the work, be it written, aural, or otherwise, that matters ...
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