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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Carol Morgan: Post Cool: Vol 1 The Night Shift

Read "Post Cool: Vol 1 The Night Shift" reviewed by Hrayr Attarian

Trumpeter Carol Morgan is an innovative musician with an explorative sense and a unique and easily recognizable style. On the first installment of her Post Cool: Vol. 1 The Night Shift she tackles bop-based, nocturnal themed, pieces that she and her quartet exquisitely interpret. Morgan and her sidemen deftly deconstruct trumpeter Dizzy Gillespie's famous “A Night In Tunisia," exposing its ingeniously crafted structure, and infuse it with modernistic elements. Morgan and tenor saxophonist Joel Frahm interchange their roles ...

ALBUM REVIEW

Carol Morgan Quartet: Carol Morgan Quartet - Post Cool Vol. 1 The Night Shift

Read "Carol Morgan Quartet - Post Cool Vol. 1 The Night Shift" reviewed by C. Michael Bailey

New York City-based trumpet player--composer Carol Morgan...wait a minute. This introduction would be all well and good...but, Carol Morgan did not originally come from New York City...She came from...Texas. Morgan might be considered the Godmother of “Houston Jazz Mafia," a group of young (and not so young) musicians that includes multi-instrumentalists Henry Darragh and Alisha Pattillo, pianists Bob Henschen, Joe LoCascio, and Paul English, singers Melissa Darragh, Tianna Hall, Jacqui Sutton, Raquel Cepeda, and Danielle Reich, guitarists Paul Chester, Mike ...

ALBUM REVIEW

Carol Morgan: Retroactive

Read "Retroactive" reviewed by C. Michael Bailey

After two well-behaved, straight-ahead, and positively reviewed recordings-- Opening (Blue Bamboo Music, 2010) and Blue Glass Music (Blue Bamboo Music, 2011)--Texas-cum-New York City trumpeter Carol Morgan decides to take a walk on a wilder side with Retroactive: a mostly electronic affair prominently featuring guitarists Mike Stern and Chris Cortez as well as one Jeff Sipe (Apt. Q258) on drums. Always a serious music maker, Morgan lets her copious red hair down and has fun. Her open bell ...

ALBUM REVIEW

Carol Morgan: Blue Glass Music

Read "Blue Glass Music" reviewed by Hrayr Attarian

Trumpeter Carol Morgan is an improviser par excellence, having literally written the book on it, and her style has matured fast over the course of five years and four albums. Blue Glass Music showcases the trumpeter's explorative solos, which are often edgy, like on “I Love You," complemented by Joel Frahm's bluesy tenor and taking the trend of thought where she leaves off and bringing it full circle to the melody. This ethereal dance of the horns ...

ALBUM REVIEW

Carol Morgan: Blue Glass Music

Read "Blue Glass Music" reviewed by C. Michael Bailey

Trumpeter Carol Morgan's Blue Bamboo debut, Opening (2010) was received uniformly, with accolades from all quarters. The Texas-native cum Manhattan-ite exploded out of Julliard following the tutelage of trumpeter Ingrid Jensen, and seemed to be everywhere at once. Morgan has been a constant in the DIVA Jazz Orchestra (with Sharel Cassity), and fronting her quintet, Carol Morgan's Case Study, featuring pianist Helen Sung and guitarist Mike Moreno, and her organ trio, Morgana' Organic Trio, featuring Akiko Tsuruga. ...

ALBUM REVIEW

Carol Morgan Trio: Opening

Read "Opening" reviewed by C. Michael Bailey

Trumpeter Carol Morgan has a smile as big as her Texas home, and chops expertly informed by Ingrid Jensen, among others, at Juilliard. She has been a fixture in the DIVA Jazz Orchestra (with Sharel Cassity). Additionally, Morgan heads the quintet, Carol Morgan's Case Study, featuring pianist Helen Sung and Guitarist Mike Moreno, and Morgana' Organic Trio, featuring Akiko Tsuruga. Opening is a trio recording, with bassist Harvie S and drummer Rich DeRosa. Piano-less trios are not ...

ALBUM REVIEW

Carol Morgan Trio: Opening

Read "Opening" reviewed by Raul d'Gama Rose

Opening is an album so rich in the intricacies of melody that it never fails to surprise at every turn. The saddest aspect of the album is that it is all too short. But the biggest surprise of all is Carol Morgan, a trumpeter who seems to have awakened the urge to find parallels in phrasing with the great Clarence Shaw. The often discussed “talking" style of playing attributed to men like Shaw, as well as trumpet players such as ...


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