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Benjamin Boone: Caught in the Rhythm
by Paul Rauch
The connection between poetry and jazz music is a delicate one. It has been documented so infrequently, in performance and recordings, that one still conjures the flicker of an image of Jack Kerouac reading in some dark Greenwich Village cafe with Steve Allen or Zoot Sims, surrounded by beret-wearing, cappuccino-sipping beatniks. The work of Fresno-based saxophonist Benjamin Boone has assisted in widening that view through four albums recorded for the Origin Records label, including the fourth, Caught in the Rhythm ...
read moreSteve Turre: Generations
by Dave Linn
Generations is a wonderful exploration of the bop and post-bop era. Steve Turre both looks back to his roots while encouraging the next generation of musicians to find their voice. It's a position he's eminently qualified for, considering the artists he has played with and his tenure as a long-time jazz educator. Trombone players have a unique place in the sound created in a small jazz band. Their parts helped blend and define any given melody. On this ...
read moreMelvin Smith: Perseverance
by Jack Bowers
Perseverance, Florida-bred saxophonist Melvin Smith's seventh album as leader of his own group, is a hard-blowing session on which he shows (again) that he is one of the leading bop-based reed masters on today's scene. On soprano or tenor, Smith displays a clarity of purpose and storehouse of astute phrases that serve him well at any pace and in any context. Besides alternating horns (tenor on seven numbers, soprano on four), Smith adds texture and variety to ...
read moreStan Killian: Brooklyn Calling
by Richard J Salvucci
Years ago, a group of folks were having dinner at a Westside San Antonio, Texas, restaurant known as Los Barrios. Occasionally, some restaurants there would start a jazz policy. In a place better known for mariachis, this would be a pleasant surprise. One Friday evening, some kid was playing tenor sax, quite a bit of tenor sax, in fact. The guy's name—because getting his card seemed like a good idea—was Stan Killian, not a familiar one among the roll of ...
read moreKenny Garrett: Sounds From The Ancestors
by Ian Patterson
On Sounds from the Ancestors, Kenny Garrett's fifth album for Mack Avenue and his first since Do You Dance! (Mack Avenue 2016), the former saxophonist for both Art Blakey's Jazz Messengers and Miles Davis, turns to the past for inspiration. From the Motown and gospel music he was weaned on as a youth growing up in Detroit, to the the hard bop of Blakey and post-bop of John Coltrane , Garrett wears his influences proudly on his sleeve on this ...
read moreDeelee Dube: Trying Times
by Chris M. Slawecki
Five years ago, the annual Sarah Vaughan International Vocal Competition named Deelee Dubé its first British winner and (2016) Sassy Award recipient, landing Dubé a spot at the Montreal International Jazz Festival and recording contract for this Concord Records debut. Trying Times marks a major label debut, but Deelee Dubé is no artistic novice. She started violin lessons when she was four and put together her first band when she was fourteen. Her 2016 release Tenderly was produced ...
read moreBenjamin Boone: The Poets Are Gathering
by Paul Rauch
Saxophonist Benjamin Boone continues his ambitious foray into jazz and poetry, this time recruiting an impressive cadre of poets for his aptly entitled release, The Poets are Gathering (Origin, 2020). The union of poetry and jazz has never been so powerfly presented, reflecting the past year of the worldwide Black Lives Matter movement, the universal role of the poet, and the power of art and voice to raise awareness and inspire change. The album employs the likes of US Poet ...
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