Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

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Bailey's Bundles

Ten Artists: March 2019

Read "Ten Artists: March 2019" reviewed by C. Michael Bailey


Kristina Koller At The Poli Club Self Produced 2019 New York City vocalist Kristina Koller follows up her debut recording, Perception (Self Produced, 2017), with this four-song, extended play live recording. Koller is backed by Fima Chupakhin on piano, Ben Rubens on bass and Darrian Douglas on drums. Their support deepens the organic flavor of Koller's sturdy and expressive voice. After Koller and company deliver a solid “Save Your Love for Me," the group assembles ...

4

Album Review

Cyrille Aimee: Move On - A Sondheim Adventure

Read "Move On - A Sondheim Adventure" reviewed by Chris Mosey


Cyrille Aimée's latest album may come as a shock to fans of the French vocalist. Gone is the light, bubbly approach that has been her hallmark. Aimée is now a “musical interpreter," no less, and is devoting a whole album to the late works of American composer Stephen Sondheim. Except for Adrien Moignard's acoustic guitar on “So Many People," she has discarded her marvelous manouche backing band, depriving her of the interplay that made her recent stint ...

4

Album Review

Cyrille Aimee: Cyrille Aimee Live

Read "Cyrille Aimee Live" reviewed by Chris Mosey


As a little girl, Cyrille Aimée would climb out of the bedroom window of her home in Samois-sur-Seine, near Fontainbleau in northern France and run off to join local gypsies by their camp fires, playing jazz and singing just as they did with Django Reinhardt (who is buried nearby). Reinhardt never managed to acclimatize himself to the international stardom that eventually came his way as a guitarist. He was forever yearning back to those happy, carefree days ...

2

Bailey's Bundles

Seven Women 2018 – Part VI

Read "Seven Women 2018 – Part VI" reviewed by C. Michael Bailey


Jazz vocals remains a vibrant and productive subgenre as evidenced by this spate of recent releases. Diane Marino Soul Serenade: The Gloria Lynne Project M&M Records 2018 Singer Gloria Lynne had a long and productive career, one that remained unjustly in the shade, deserving of the attention that it is getting now from singer Diane Marino on Soul Serenade: The Gloria Lynne Project. Marino began on piano, studies with Murray Perahia at ...

2

Album Review

Cyrille Aimee: Let’s Get Lost

Read "Let’s Get Lost" reviewed by C. Michael Bailey


Vocalist Cyrille Aimee is the face of post-modernity. She is the eclectic intersection of French, Dominican, and Roma genes and cultures. The result is brilliantly polyglot, the beautiful blending of goodness. This whispering description could just as easily apply to Aimee's music. Let's Get Lost boasts the same eclectic origins as the singer. For this current recording, Aimee is backed by two guitars, bass and drums, accentuating a Gypsy element in the music chosen. Her repertoire is a dizzying array ...

12

Tell Me More

Cyrille Aimee: It's a Good Day

Read "Cyrille Aimee: It's a Good Day" reviewed by Belinda Ware


In countries around the world, March is designated as Women's History Month, a time where we acknowledge women of excellence in a variety of fields of expertise. Women who create milestones and trends to awaken the consciousness of people who they inspire with the light of a new approach to something familiar. A true pioneer is one who possesses the independent spirit of ingenuity and the spirit of change. Looking at the world of jazz, that independent spirit is embodied ...

86

Live Review

Cyrille Aimée and Diego Figueiredo at Nighttown

Read "Cyrille Aimée and Diego Figueiredo at Nighttown" reviewed by Matt Marshall


Cyrille Aimée and Diego FigueiredoNighttownCleveland Heights, OHSeptember 27, 2011 At the midpoint of her show with guitarist Diego Figueiredo on Sept. 27 at Cleveland's Nighttown, singer Cyrille Aimée pulled out her loop pedal and set about constructing the rhythmic and harmonic vocal tracks that would form the pulsing, multilayered foundation for a French-lyric song of her own composition. The wordless backing, with its beat-box bump and skip, had as much to do with hip-hop ...


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