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Jazz Articles about Steve Raegele

Album Review

Steve Raegele: Last Century

Read "Last Century" reviewed by AAJ Italy Staff


Finalmente un guitar-trio che non suona “alla maniera di..," che non è l'ultima meraviglia propinata da qualche sponsor in cerca di pubblicità, che non si propone di stupire il mondo. Ma un guitar-trio che possiede una cifra stilistica personale e un modo di approcciare sia la composizione che l'improvvisazione piuttosto originale. Arrivano dal Canada e il chitarrista Steve Raegele (già coinvolto nella band psyco-rock The Besnard Lakes e membro del Thom Gossage's Other Voices) è qui al debutto come leader. ...

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Album Review

Steve Raegele: Last Century

Read "Last Century" reviewed by Jerry D'Souza


Guitarist Steve Raegele brings a multifaceted presence to his debut, Last Century. Raegele, who is based in Montreal, Canada, was the lead guitarist of the psychedelic rock band The Besnard Lakes, and a member of drummer Thom Gossage's Other Voices. He was at home in the radically different approach of the two bands, an assured player who found his muse, no matter what the idiom. He now shows just how exploratory and sensitive he can be to differing norms of ...

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Album Review

Steve Raegele: Last Century

Read "Last Century" reviewed by Pascal-Denis Lussier


Montreal guitarist Steve Raegele's debut, Last Century, with bassist Miles Perkin and drummer Thom Gossage, marks the beginning of a career that will, no doubt, be looked back upon despite being disregarded at this stage. The album doesn't mark Raegele's launching point, however, but the due reward of a turbulent turning point, as the guitarist has abandoned his role as lead guitarist for indie rock band, The Besnard Lakes, to seek more autonomy and creative freedom. Raegele has since played ...

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Album Review

Steve Raegele: Last Century

Read "Last Century" reviewed by Matt Marshall


"Mostly, this is the sound of half-awake dreams, phantasmic moments of glowing red dawn," guitarist Steve Raegele writes in the liner notes to Last Century. “I think of these songs as having been created by reaching out from a moving train to grab onto shapes that would be lost in the blur." As those lines suggest, there's little melody here, just snatches of ringing guitar that rise out of primordial, electronic ooze. Heavy on atmospherics and space, ...


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