Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Don Byron / Aruan Ortiz: Random Dances And (A)tonalities

Read "Random Dances And (A)tonalities" reviewed by John Sharpe

The title Random Dances And (A)tonalities hints at the inclusive nature of this studio encounter between Cuban-born, New York-based pianist Aruán Ortiz and American clarinetist Don Byron. Ortiz's admiration for Byron's work caused him to seek out the reedman and led to this session that brings together their varied backgrounds. Between the two, they encompass early jazz, the liberated mainstream, avant-garde and classical realms. The resultant program contains three originals from the pianist, two from Byron, one jointly credited tune ...

ALBUM REVIEW

Don Byron / Aruan Ortiz: Random Dances And (A)tonalities

Read "Random Dances And (A)tonalities" reviewed by Jerome Wilson

Aruan Ortiz is a Cuban-born pianist who has worked with a number of progressive jazz luminaries including William Parker, Oliver Lake and Nicole Mitchell. Here he performs a program with clarinetist Don Byron which touches on a wide spectrum of music from J. S. Bach's formal beauty to Duke Ellington's crafty blues. The two men show the ability to knit their styles together from the first track, Ortiz's own “Tete's Blues," with Byron's clarinet snaking its way through ...

RADIO

Aruán Ortiz live at BIMHUIS Amsterdam

Read "Aruán Ortiz live at BIMHUIS Amsterdam" reviewed by BIMHUIS

Aruán Ortiz is a rising piano star of such a sweeping contemporary technique, imagination and keyboard-power, to be an enthralling one-man band too. The Cuban-born musician incorporates different forms in his compositions, resulting in a unique new style which reflects his fascination for modern classical music as well as Afro-Cuban traditions, and for great jazz innovators such as Ornette Coleman and Thelonious Monk. On this solo set, based on his album Cub(an)ism released last year on the Swiss ...

ALBUM REVIEW

Don Byron/Aruan Ortiz: Random Dances And (A)Tonalities

Read "Random Dances And (A)Tonalities" reviewed by Dan McClenaghan

Jazz albums have a history of featuring cool cover art, from drummer Chico Hamilton's Ellington Suite (World Pacific, 1959) and bassist Charles Mingus' Ah Um (Columbia, 1959) to almost all of the ECM Records catalog. Maybe grabbing the music-shopper's eye helps in the pulling of the wallet out the pocket or the purse. On the terrific duo album, Random Dances And (A)tonalities, from reedman Don Byron and pianist Aruan Ortiz, that visual introduction is four squares set together to make ...

ALBUM REVIEW

Don Byron / Aruán Ortiz: Random Dances And (A)Tonalities

Read "Random Dances And (A)Tonalities" reviewed by Karl Ackermann

Two highly accomplished artists--one long-established, the other solidifying his legacy--are brought together on Random Dances And (A)Tonalities. This duo outing features clarinetist and saxophonist Don Byron and pianist Aruán Ortiz. The two gifted composers have been playing together, at Ortiz's initial request, since 2014 but in larger ensembles. In late 2017 Byron and Ortiz met in a studio in Zürich, Switzerland to record this eclectic set which plays to both artists' broad musical sensibilities. One of the most ...

ALBUM REVIEW

Winged Serpents: Six Encomiums for Cecil Taylor

Read "Six Encomiums for Cecil Taylor" reviewed by Karl Ackermann

The link between the late Cecil Taylor and the members of the Winged Serpents collective is one driven by admiration and inspiration, from a distance, rather than through collaboration. Taylor, in fact, had only shared billing twice in his half-century of recording. The Mary Lou Williams duet Embraced (Pablo, 1977) and Max Roach's 1979 recording of Historic Concerts (Soul Note, 1984) constitute the entire library of his communal projects and date back at least a generation before any of the ...

ALBUM REVIEW

Aruán Ortiz Trio: Live in Zürich

Read "Live in Zürich" reviewed by John Sharpe

Cuban pianist Aruán Ortiz just goes from strength to strength on his third release on the Intakt imprint, although it is his twelfth overall. While most of the repertoire on Live In Zurich appears on previous albums, what he does with it here, through dramatically extending and mashing pieces together, is nothing short of remarkable. This date at the Unerhört! Festival in the Swiss capital was the last of a two-week European tour, and that really shows in the tightness ...


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