by Gina Vodegel
If a musical career spans a period of thirty years, there's bound to be ups and downs along the way. Rickie Lee Jones has always insisted on making her own choices, sometimes baffling her critics with yet another puzzle to work out. Here the Duchess of Coolsville combines her multiple talents as an artist, songwriter and producer with a little help from musical friends like Jon Brion, Bill Frisell, Brian Swartz, Pete Thomas and Reggie McBride.
The album ...read more
by Ken Dryden
Rickie Lee Jones and Tom Waits have been prominent figures in the world of pop since their emergence in the mid-1970s. While the folksy Jones has had an eclectic career, her shrill vocals have likely turned off as many listeners as those who enjoy her work, though her early 1990s CD Pop Pop (Geffen, 1991) showed that she was adventurous enough to tackle standards. Waits emerged looking like a denizen of Skid Row and sounded like one as well, particularly ...read more
by R.J. DeLuke
Rickie Lee Jones is a pure artist. She’s not a dyed-in-the-wool jazzer, though improvisation is an important part of what she does (more than many jazz singers I’ve heard). She’s part poet, part beatnik. She’s part coquette and part of her just tells what she observes in life.
(Art... n’est pas?)
What she really is, is just Rickie Lee Jones. Period. She has a sound and an approach that is all her own, whether it’s a jazz standard — of ...read more
by Ashley King
Live records are perhaps the most precarious of balancing acts. For too many artists, ventures into unplugged territory prove to be nothing more than overproduced exercises in self-indulgence. On the contrary, Live At Red Rocks, the most recent release from Rickie Lee Jones, is a refreshingly satisfying jaunt into this well-traveled arena.
In contrast to her 1995 live release Naked Song s, Red Rocks is not about showcasing Jones as a stripped down, acoustic singer-songwriter. But rather it is about ...read more