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Marco Colonna: The Second Coming

Read "The Second Coming" reviewed by Daniel Barbiero

In improvised music no less than in composed classical music, the period from the 1950s forward has seen the invention and development of new and expansive instrumental techniques. Along with the expansion of technical resources has come a corresponding evolution of musical poetics grounded in the idea that performance techniques and gestures, when engaged with a certain degree of self-consciousness, can serve as the fundamental material basis for an expressive musicality. Such is the case with the music of The ...


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