Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Jon Irabagon: Invisible Horizon

Read "Invisible Horizon" reviewed by Troy Dostert

One would imagine that a musician as chameleon-like as saxophonist Jon Irabagon, capable of playing in any genre, in any context, at any time, must have a real challenge finding unexplored territory. Equally adept at mainstream blowing, as on Observer (Concord, 2009), energized free-bop with Barry Altschul's 3dom Factor, the no-holds-barred mania of his assorted outings with Mostly Other People Do the Killing and, of course, the many consistently creative projects under his own name, Irabagon would appear to be ...

ALBUM REVIEW

Jon Irabagon: Invisible Horizon

Read "Invisible Horizon" reviewed by Jerome Wilson

Saxophonist Jon Irabagon has explored an immense amount of territory so far in his career such as mainstream and progressive jazz, hip hop, free improvisation and many other areas. This new two disc effort brings two of his more off-the-beaten-path projects together. CD 1, Invisible Guests, contains classical works featuring a string quartet while CD 2, Dark Horizon: Live From The Mausoleum, is a set of live solo improvisations on the mezzo soprano saxophone. The meat of the ...

ALBUM REVIEW

Jon Irabagon: Invisible Horizon

Read "Invisible Horizon" reviewed by Mark Corroto

The inexhaustibly adventurist saxophonist Jon Irabagon has repeatedly challenged his listeners with each project he undertakes. The 2008 Thelonious Monk Saxophone Competition champion and former member of the rebel outfit Mostly Other People Do The Killing can be heard in Mary Halvorson's projects, The Dave Douglas Quintet, and Barry Altschul's 3Dom Factor, beside leading his own trio, quartet and quintets. But then again, maybe he is continually challenging himself to expand his music in new directions. Invisible Horizon ...

RADIO

Jenny Scheinman & Allison Miller, Vincent Peirani and New Releases

Read "Jenny Scheinman & Allison Miller, Vincent Peirani and New Releases" reviewed by Ludovico Granvassu

Another week replete with beautiful new releases, and re-releases, from the etheral to the political, both catchy and heart-brakingly gorgeous, from both sides of the Atlantic Ocean. Happy listening! Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Vincent Peirani “What Power Art Thou" Living Being II: Night Walker (ACT) 0:16 Host talks 6:01 Jenny Scheinman & Allison Miller's Parlour Game “116th & Congress" Parlour Game (The Royal Potato Family) 8:00 Tom ...

RADIO

Jon Irabagon, Charlie Parker, New Releases And Archive Picks

Read "Jon Irabagon, Charlie Parker, New Releases And Archive Picks" reviewed by Bob Osborne

A focus on the recent album from Jon Irabagon, a trio of Charlie Parker related tunes, a song in remembrance of Randy Weston and lots more... Playlist Jon Irabagon “The Demon Barber of Fleet Week" from Dr. Quixotic's Traveling Exotics (Irrabagast) 00:00 Randy Weston “Blues for Strayhorn" from Monterey '66 (Verve) 12:20 Wayne Shorter & Milton Nascimento “Ponta de Areia" from Native Dancer (Columbia) 19:35 Marcin Wasilewski “Spark of Life/Sudovian Dance" from Live (ECM) 25:22 Jon Irabagon ...

ALBUM REVIEW

Jon Irabagon Quartet with Tim Hagans: Dr. Quixotic's Traveling Exotics

Read "Dr. Quixotic's Traveling Exotics" reviewed by Karl Ackermann

Tenor saxophonist Jon Irabagon is best known for his long tenure with Mostly Other People Do the Killing (MOPDtK), beginning with This Is Our Moosic (Hot Cup Records, 2008) and through the majority of that group's releases up to 2017's Loafer's Hollow. But along the way to Dr. Quixotic's Traveling Exotics, he has accumulated an eclectic resume. His Perpetual Motion (A Celebration of Moondog) (Jazz Village, 2014), with French composer and multi-reedist Sylvain Rifflet, was a moving and exuberant tribute ...

MULTIPLE REVIEWS

Jon Irabagon: Inaction is an Action & Behind the Sky

Read "Jon Irabagon: Inaction is an Action & Behind the Sky" reviewed by Doug Collette

It's a rare musician who can find ways to excel in multiple contexts, but saxophonist/composer Jon Irabagon is just such an artist. His timeline contains entries as collaborator as well as leader and his respective contributions are equally distinctive, suggesting his humility is equaled only by his independence. Because the nuances of his compositions are as fine as those of his musicianship, the sum effect of Irabagon's artistic arc conjures up the compelling notion that he is not only an ...


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