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Darius Jones, Mara Rosenbloom, Christian McBride, Tom Harrell & Leon Parker

Read "Darius Jones, Mara Rosenbloom, Christian McBride, Tom Harrell & Leon Parker" reviewed by Martin Longley

The Darius Jones Quintet/The Mara Rosenbloom Trio Ibeam June 13, 2016 This appealing double bill made a Monday night visit to Ibeam a certainty, even if only for a select-sized audience. This musician-orientated room in the Gowanus part of Brooklyn is completely dedicated to the activity of performance, without a bar, or snack hatch, reminiscent of The Stone in Manhattan. The stage, or rather, the far floor-corner, is surrounded with acoustic baffles that add ...

ALBUM REVIEW

Darius Jones: Big Gurl (Smell My Dream)

Read "Big Gurl (Smell My Dream)" reviewed by John Sharpe

In Man'ish Boy (A Raw & Beautiful Thing) (AUM Fidelity, 2009), alto saxophonist Darius Jones scored a stunning debut that placed the newcomer firmly on the avant jazz map. Since then, the reedman has put himself about town, tasting artistic success with drummers William Hooker, and Mike Pride's ensembles, collective Little Women and in duet with pianist Matthew Shipp. But now he returns in the company of the trio first heard on a bonus track from his inaugural outing, comprising ...

ALBUM REVIEW

Darius Jones Trio: Big Gurl (Smell My Dream)

Read "Big Gurl (Smell My Dream)" reviewed by Troy Collins

Darius Jones' debut recording, Man'ish Boy (A Raw & Beautiful Thing) (AUM Fidelity, 2009), heralded the arrival of an important new voice on alto saxophone. Big Gurl (Smell My Dream) is the second release in an ongoing series of concept records slated to document Jones' personal development--from his origins in Richmond, Virginia to his relocation as a member of New York's fertile Brooklyn scene. Eschewing the star power of his first album, which included multi-instrumentalist Cooper-Moore and drummer Rakalam Bob ...

ALBUM REVIEW

Darius Jones Trio: Big Gurl (Smell My Dream)

Read "Big Gurl (Smell My Dream)" reviewed by Nic Jones

As of right now, alto sax man Darius Jones is one of the more distinctive voices; his vocabulary informed as much by the street as it is the academy, but his reach ensuring that this amounts to more than a fine balance between heart and head. He takes risks, too, considering that the trio lineup of sax, bass and drums is historically well-represented on record. But this band has its own things going on, despite its precedents. ...

ALBUM REVIEW

Darius Jones / Matthew Shipp: Cosmic Lieder

Read "Cosmic Lieder" reviewed by John Sharpe

Duets with saxophonists loom large in pianist Matthew Shipp's discography. His first release featured one such with a young Rob Brown--Sonic Explorations (Cadence Jazz, 1988)--and there have been further outings over the years with other reed men, including Roscoe Mitchell, Ivo Perelman, Evan Parker and Sabir Mateen. To add to that impressive roster comes a worthy addition in Cosmic Lieder, with talented newcomer alto saxophonist Darius Jones, who received serious plaudits for his stunning 2009 debut Man'ish Boy (A Raw ...

INTERVIEW

Darius Jones: From Johnny Hodges To Noise Jazz

Read "Darius Jones: From Johnny Hodges To Noise Jazz" reviewed by AAJ Staff

Alto saxophonist Darius Jones--who won most critics' nomination for the best jazz newcomer album of 2009 for Man'ish Boy (A Raw And Beautiful Thing) (AUM Fidelity, 2009)--is a great fan of Johnny Hodges. He says that the lyrical Duke Ellington altoist is his hero, and this is pleasantly noticeable at the beginning of Man'ish Boy. It is also a good thing; not only did Hodges possess one of the most beautiful sounds in music, but Jones' focus on Hodges-like bends ...

ALBUM REVIEW

Darius Jones: Man'ish Boy (A Raw & Beautiful Thing)

Read "Man'ish Boy (A Raw & Beautiful Thing)" reviewed by John Sharpe

Matthew Shipp once opined that Darius Jones arrived on the scene fully formed, and that is not far from the truth. His first appearance of note was at the 2008 Vision Festival, as part of trumpeter Lewis Barnes' Hampton Roads, confirming that Virginia native Jones was indeed the real McCoy. This debut recording with his own trio, which was a high point of the 2009 Vision Festival, backs that up with one of the strongest offerings of the year.

An ...


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