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The Adam Larson Band: Listen With Your Eyes

Read "Listen With Your Eyes" reviewed by Phillip Woolever

Adam Larson may hail initially from Normal (Illinois), but there is absolutely nothing typical or average, in terms of style or ability, about the now-Kansas-City-based saxophonist. He has gathered a trio with comparable strengths and, behind his towering tenor, they create a showcase of prime progressive jazz. The ride begins with “Sleepers," a shape-shifting opener with nothing drowsy about it which flows through multiple motifs. Larson soars across impressively unique arrangements into segmented duets between pianist Fabian Almazan ...

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Adam Larson: Second City

Read "Second City" reviewed by Mike Jurkovic

For those out there who love it when a saxophonist hits the ground running, immediately taking control of the proceedings with their eyes and ears set on the far horizon, then Second City twenty-seven year old Adam Larson's fourth disc--yes fourth!--is the thrilling disc to be hearing right now. Leading a punchy and tenacious quartet comprised of keyboardist Rob Clearfield, bassist Clark Sommers, and drummer Jimmy Macbride Larson's sax leaps and bounds over Chicago (where the Second City ...

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Adam Larson: Second City

Read "Second City" reviewed by Dan Bilawsky

When you hear “Second City" and think about improvisation, comedy comes to mind before jazz. But this music is no laughing matter. Saxophonist Adam Larson is one serious talent, as this, his fourth album to date, makes clear. While Larson has called New York home for the past decade, Second City was recorded in its namesake locale--Chicago. It's an album rooted to Larson's Midwestern upbringing but a statement of maturity that could only emerge after some serious ...

ALBUM REVIEWS

Adam Larson: Second City

Read "Second City" reviewed by Troy Dostert

The first thing one notices when listening to tenor saxophonist Adam Larson's latest release, Second City, is the torrent of notes coming out of his horn, seemingly in unstoppable waves. But Larson's got a lot more to offer than just impeccable chops. He possesses a rhythmic sophistication and compositional cleverness that should help him distinguish himself from the pack of young tenorists on the current scene. Seven of the eight tracks are Larson's own, and they offer some ...


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