Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Carol Welsman: Dance With Me

Read "Dance With Me" reviewed by Edward Blanco

Vocalist and pianist Carol Welsman always had an affinity for Latin rhythms and often included the element in her music. In fact, producing an album where the Latin side of jazz is the main focus has been a longtime dream that she finally fulfills on Dance with Me. The music is a delightful excursion into the Latin jazz genre with arrangements that touch on boleros, salsa, cha cha cha and even calypso. One of the main highlights of the recording ...

ALBUM REVIEW

Carol Welsman: Alone Together

Read "Alone Together" reviewed by Edward Blanco

Canadian jazz pianist and vocalist Carol Welsman unveils her eleventh album as leader with the audacious Alone Together where she's never alone and altogether very spicy and splendid on vocals as well as on the keys. The album contains a superb selection of time-honored standards like Sammy Cahn's “Day By Day," Rodgers & Hammerstein's oft-recorded “It Might As Well Be Spring," Duke Ellington's classic “I Didn't Know About You" and of course, the Arthur Schwartz/Howard Dietz 1932 title song, “Alone ...

ALBUM REVIEW

Carol Welsman: The Language Of Love

Read "The Language Of Love" reviewed by Jim Santella

Carol Welsman’s love letter sends its message around the world. She sings in English, French, Italian and Portuguese on this album of treasured memories. Traces of tango, samba and bossa nova mingle casually with sensual ballads and traditional fare. Poignant arrangements of “A Nightingale Sang in Berkeley Square” and Sting’s “Every Breath You Take” sweep away the clouds and reveal a veteran vocalist with heart.

The Language Of Love is Welsman’s fifth album. Based in Toronto, and the ...

ALBUM REVIEW

Carol Welsman: Hold Me

Read "Hold Me" reviewed by John Sharpe

Spurred on no doubt by the growing popularity of the “smooth” jazz radio format, singer/pianist Carol Welsman’s latest CD is a decidedly middle-of-the-road affair. Though she’s often billed as a “jazz” singer, Hold Me contains a whole lot of “pop” and precious little jazz. Welsman floats through this 12-track collection without ever breaking a sweat, rarely displaying the vocal/piano chops she’s famous for. Hold Me is a decent easy-listening album but, as Clara Peller used to say – “Where’s the ...


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