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Jazz Articles about The Wee Trio

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Interview

The Wee Trio: Full of Surprises

Read "The Wee Trio: Full of Surprises" reviewed by Geno Thackara


Don't be fooled by the name. The members of the Wee Trio are normal-looking and normal-sized guys, their ambition if anything is deluxe, and their compositional scope virtually limitless. While such a moniker can only keep them humble--not that they'd seem to need the help--they've always kept an outsized willingness to follow fascinating ideas and embrace the unexpected. Picture Al Pacino's sneaky lawyer in The Devil's Advocate explaining his unassuming appearance: “I'm the little guy. They don't see me comin.'" ...

10
Album Review

The Wee Trio: Wee +3

Read "Wee +3" reviewed by Dan Bilawsky


The Wee Trio delivered quite a bit of variety over the course of its first four albums. The first two--Capitol Diner, Vol. I (Bionic Records, 2008) and Capitol Diner, Vol. II: Animal Style (Bionic Records, 2010)--established the musical ground and syntax that are part and parcel of this three-way partnership; Ashes To Ashes: A David Bowie Intraspective (Bionic Record, 2012) demonstrated much of what can be done to mutate and honor David Bowie's music, almost foretelling the growth of Bowie-inflected ...

2
Album Review

The Wee Trio: Live at the Bistro

Read "Live at the Bistro" reviewed by Luigi Sforza


La bella copertina dell'ultimo CD del Wee Trio--in puro stile fumettistico pop art, alla Roy Lichtenstein, comprensivo di onomatopee--rappresenta i tre musicisti nell'atto di suonare. La musica poi è un'esperienza dinamica sfaccettata, in sintonia con le possibili declinazioni di una società in continuo movimento. L'accostamento tra pop art e Live at the Bistro -disco che fotografa la performance del gruppo nell'omonimo locale di St. Louis ad un paio d'anni di distanza da Ashes to Ashes: a David Bowie ...

129
Album Review

The Wee Trio: Ashes To Ashes - A David Bowie Intraspective

Read "Ashes To Ashes - A David Bowie Intraspective" reviewed by Glenn Astarita


Vibraphonist James Westfall participated with several New Orleans-based musicians to cover the music of pop icon David Bowie and took the concept further by using this premise for The Wee Trio's third album. The band projects youthful vigor along the lines of The Bad Plus and Medeski, Martin & Wood; firmly rooted in the jazz vernacular, the trio adheres to Bowie's famous melodies and song forms, all enacted with jazzy variations and plentiful doses of improvisation. “1984" is ...

Album Review

The Wee Trio: Ashes to Ashes: A David Bowie Intraspective

Read "Ashes to Ashes: A David Bowie Intraspective" reviewed by AAJ Italy Staff


Rock e jazz, storia lunga e complicata. Tanti flirt, brusche rotture e un solo terreno di pace: il tributo, l'omaggio, la rivisitazione. Fra gli innumerevoli musicisti che si sono cimentati in esperimenti di questo tipo - ascoltati soprattutto negli ultimi due decenni - dobbiamo aggiungere il Wee Trio con questo Ashes to Ashes, un progetto le cui fondamenta si devono a Cliff Haines, eclettico chitarrista jazz al quale venne l'idea di radunare un gruppo di musicisti di New Orleans per ...

310
Album Review

The Wee Trio: Capitol Diner Vol. 2: Animal Style

Read "Capitol Diner Vol. 2: Animal Style" reviewed by Mark F. Turner


Based loosely in New York, The Wee Trio's origins form a cross-section of the United States, with drummer Jared Schonig from Los Angeles, vibraphonist James Westfall living in New Orleans and bassist Dan Loomis hailing from St. Louis. Notwithstanding that there isn't an abundance of vibraphone-centered recordings such as Joe Locke's For the Love of You (E1 Music, 2010) and Stefon Harris' Urbanus (Concord Music Group, 2009), The Wee Trio holds high the mallet-based banner in good form, showing itself ...

296
Album Review

The Wee Trio: Capitol Diner Vol. 1

Read "Capitol Diner Vol. 1" reviewed by Troy Collins


Jazz has a long history of up and coming musicians attempting to incorporate the popular music of their time into the standard repertoire. Some acts have made such ideology their calling card. For example, both the Jacob Fred Jazz Odyssey and Sex Mob regularly include contemporary pop songs in their set lists. As such, the cover of Nirvana's early underground hit “About a Girl" (complete with hyper speed “Rhapsody in Blue" interjections) that opens the Wee Trio's debut album Capitol ...


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