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ALBUM REVIEW

Ola Kvernberg: Steamdome

Read "Steamdome" reviewed by Chris May

Steamdome is one of those albums that defies categorisation. It is part future-jazz, part avant-rock, part deep-house, part electronica, part contemporary-classical. It is the follow-up to Norwegian violinist and film composer Ola Kvernberg's whirlwind The Mechanical Fair (Olsen, 2016). That album was memorably pitched as heralding a “mutton western" genre, and the description also fits Steamdome, which winningly references some of Ennio Morricone's compositional tropes. There are a couple of substantial differences between the two albums. The first is that ...

EXTENDED ANALYSIS

Ola Kvernberg Trio: Northern Tapes

Read "Ola Kvernberg Trio: Northern Tapes" reviewed by John Kelman

It's been three years since Ola Kvernberg released the ambitious Liarbird (Jazzland, 2011), a studio document of his 2010 Molde International Jazz Festival commission where guest Joshua Redman was recruited for the live performance, but where, far more than a ringer for Kvernberg, Redman was clearly awestruck by this virtuosic young violinist/composer. It's not that Kvernberg hasn't been busy, either: in addition to being a featured soloist, the same year, with Motorpsycho's progressive rock-heavy collaboration with Supersilent/Elephant9 keyboardist Ståle Storløkken, ...

ALBUM REVIEW

Ola Kvernberg: Liarbird

Read "Liarbird" reviewed by John Kelman

It may have seemed that recruiting American saxophonist Joshua Redman for the live premiere of Liarbird--a joint commission by the Trondheim and Molde Jazz Festivals in Norway--was the musical equivalent of a ringer in sports. But it wasn't long into Ola Kvernberg's ambitious Molde Jazz 2010 performance, as the violinist launched into the first of many staggeringly fine solos, that Redman's appreciation for the players around him became clear--his expression, for most of the show, one of sheer amazement. And ...

ALBUM REVIEW

Ola Kvernberg Trio: Folk

Read "Folk" reviewed by John Kelman

Beginning his career playing Manouche music, Norwegian violinist/mandolinist Ola Kvernberg has recently been exploring more modernistic spaces with his trio featuring bassist Steinar Raknes and drummer Erik Nylander. Folk is the follow-up to the trio's 2006 Jazzland debut, Night Driver, and the same loose interplay is on display, but with greater confidence and depth--the clear result of more time spent together. “Roland" is based around a repetitive riff and contemporary funk groove, but what's remarkable is how Kvernberg ...


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