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Bill Evans: You Must Believe In Spring (Hybrid SACD)
by Doug Collette
The quietude with which “B Minor Waltz (For Ellaine)" opens You Must Believe In Spring belies the hearty homage this release constitutes in recognition of the title's forty-fifth anniversary. As a means of righteous and deserving tribute to his seventieth studio album, the late Bill Evans' debut for the Warner Bros. label is enhanced in a number of ways. First and foremost is the sonic upgrade for hybrid-SACD (as well as the vinyl LP configuration). Using the Plangent ...
read moreAntonio Zambrini - Eliot Zigmund - Carmelo Leotta: Long Distance
by AAJ Italy Staff
Meno in vista di quanto meriterebbe, Antonio Zambrini è uno dei migliori pianisti italiani e lo ha dimostrato ampiamente nell'ultimo decennio, con dischi a suo nome (Quartetto, Due Colori, Musica) e felici collaborazioni col quartetto di Ron Horton (It's a Gadget World, Abeat 2009) e con Lee Konitz (Comencini, Standardslee, Alone and Together, Philology 2007). Questo trio s'è formato in occasione dei concerti italiani di Eliot Zigmund del novembre 2011, alcuni dei quali dati con questa formazione. Vista la particolare ...
read moreEliot Zigmund
by David A. Orthmann
Recently I've been listening to Breeze, drummer Eliot Zigmund's 2008 release on the SteepleChase label. In part my interest in the recording stems from catching a couple of Zigmund's sideman gigs at The Turning Point Café in Piermont, NY. On those occasions I couldn't get a handle on all of the things that felt right about his playing. And describing some of the highlights in a live performance review didn't come close to capturing the essence of his style.
read moreBill Evans: You Must Believe In Spring
by Chris M. Slawecki
After more than a decade as one of the pianist's most sympathetic bassists, this was Eddie Gomez's last recording with Evans, a trio set with drummer Eliot Zigmund recorded in 1977 and released after Evans' death in 1980.Evans never stopped searching for new ideas. He might be faulted for repeatedly looking for them in the same tunes, but this program is quite varied, including Johnny Mandel's “Suicide is Painless" (the theme from M.A.S.H. ); Michel Legrand's title track; ...
read moreBill Evans: You Must Believe In Spring
by Mark Corroto
Somewhere between the huge box sets of Bill Evans’ work on Verve, Riverside, Fantasy and his final works (and almost final live dates) lie some true gems. Romantics fall easily for the gritty sounds of Evans accompanying singer Tony Bennett from 1975 and his two Paris concerts from 1979, both released on Blue Note, which are indeed triumphs of his spirit. I’d put my vote in for this session released originally in 1981, a year after Evans’ passing. ...
read moreThe Marvin Stamm Quartet: Elegance
by Jack Bowers
The “invisible man” returns. Trumpeter Marvin Stamm, who played with big bands led by Woody Herman, Stan Kenton and Thad Jones / Mel Lewis, among others, before vanishing in the early ’70s into the wilderness of studio work in New York City, is playing Jazz again — has been for some time now — and that is good news indeed for those of us who appreciate the sort of “elegance” he invariably espouses. Indeed, there’s no more appropriate word than ...
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