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Album Review

Ethan Philion: Meditations On Mingus

Read "Meditations On Mingus" reviewed by Angelo Leonardi


Questa rilettura del songbook mingusiano, conferma la potenza evocativa e l'attualità di quelle composizioni. La scelta da Ethan Philion ha privilegiato brani che testimoniamo l'impegno civile e politico del contrabbassista di Nogales e sono particolarmente d'attualità oggi. Il disco di apre con un brano dal titolo emblematico, “Once Upon A Time There Was A Holding Corporation Called Old America," che Charles Mingus non registrò mai in studio ma è presente nella registrazione live (a lungo introvabile) di At ...

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Album Review

Scott Hesse Trio: Intention

Read "Intention" reviewed by Troy Dostert


Guitarist Scott Hesse self-released his debut album, Intuition, in 1998, but he has been criminally under-recorded since then. At least, that is the conclusion many will draw after listening to his superb trio disc, Intention, recorded live in Chicago in 2023. His most recent date as a leader since 2015's The Stillness of Motion (Origin Records), here he is partnered with bassist Clark Sommers and drummer Dana Hall, with an opportunity to showcase his formidable talents in a way sure ...

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Album Review

Ethan Philion: Gnosis

Read "Gnosis" reviewed by John Chacona


When it comes to making memorable entrances, Ethan Philion is on a par with Seinfeld's Kramer. The jny: Chicago bassist burst into the scene with Meditations on Mingus (Sunnyside Records, 2022), an audacious debut recording on which he arranged familiar selections and deep cuts from the towering jazz bassist Charles Mingus. On Gnosis, the forces are smaller and perhaps so is the ambition of Philion's concept. Yet from the very first notes of “The Boot," which begins with a shriek ...

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Album Review

Geof Bradfield Quintet: Quaver

Read "Quaver" reviewed by Jack Bowers


While tenor saxophonist Geof Bradfield's versatile Chicago-based quintet does not play “free jazz" on Quaver-- customary rhythmic and harmonic precepts underline every number--the music is explicitly adventurous and forward-looking, as Bradfield and his mates seize every chance to take flight within prescribed boundaries. All the compositions are Bradfield's, and they range from powerful to placid, none of which seems to faze any members of the group, three of whom --Bradfield, bassist Clark Sommers, drummer Dana Hall--have been ...

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Album Review

Rodney Whitaker: Oasis: The Music of Gregg Hill

Read "Oasis: The Music of Gregg Hill" reviewed by Jack Bowers


Oasis is the third time around for bassist Rodney Whitaker and music written by fellow Michigander Gregg Hill, following Common Ground (Origin 82780) and Outrospection (Origin 82819). Personnel is the same as on Common Ground (Terell Stafford, trumpet; Tim Warfield, saxophone; Bruce Barth, piano; Dana Hall, drums; Rockelle Fortin, vocals) with Hall and Fortin returning from Outrospection (on which Fortin is listed as Rockelle Whitaker). Hill's compositions are for the most part firmly grounded in customary post-bop ...

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Album Review

Darren Johnston: Life in Time

Read "Life in Time" reviewed by Jack Bowers


Brooklyn-based trumpeter Darren Johnston traveled to Chicago in May 2021 to record Life in Time with three of his favorite musicians: saxophonist Geof Bradfield, bassist Clark Sommers and drummer Dana Hall who form their own working trio in the Windy City. The generally charming studio date encompasses ten original compositions, six by Johnston, four by Bradfield. Technically and musically, the foursome is splendid. What is missing—and it takes a tune or two to sink in—is the welcome ...

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Album Review

The Adam Larson Trio: With Love, From Chicago

Read "With Love, From Chicago" reviewed by Dan McClenaghan


The experience begins with the cover art, an old school black-and-white photo of Kansas City-based saxophonist Adam Larson with his hair swooped up in something of a modest 1950s pompadour, like an early Sun Records artist--Johnny Cash, Elvis Presley--sitting in the studio with his ax laid out in front of him. Except Larson's ax is not the guitar; it is the saxophone in the photo's foreground. And the Presley pompadour? It really isn't one; a ball cap pushed back on ...


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