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Jazz Articles about Robin Verheyen

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Album Review

Marc Copland Quartet: Someday

Read "Someday" reviewed by Dan McClenaghan


Marc Copland is a former saxophonist who found his instrument artistically confining for the purposes of expressing his vision. So he called on his childhood piano training (synaptic memories intact) to make the switch to the keyboard. The results have been magic. His artistry with the 88s is second only to the late Bill Evans, and an argument for his surpassing of Evans could be made. His discography boasts more than forty albums as a leader, beginning in 1988 with ...

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Radio & Podcasts

Verheyen, Copland, van der Feen, McPherson Live at BIMHUIS Amsterdam

Read "Verheyen, Copland, van der Feen, McPherson Live at BIMHUIS Amsterdam" reviewed by BIMHUIS


Robin Verheyen can switch effortlessly between jazz, rock and Bach, but concentrates on acoustic improvisation with his New York quartet. The Flemish saxophonist performed recently at the BIMHUIS, accompanied by his band TaxiWars, which features dEUS frontman and cult indie legend Tom Barman. Verheyen lived in Brussels and Paris before moving to New York, where he is making waves for, among other things, his collaborations with some of the greats of improvisation, such as Marc Copland, Gary Peacock ...

9
Album Review

Robin Verheyen: When The Birds Leave

Read "When The Birds Leave" reviewed by Don Phipps


Saxophonist Robin Verheyen exhibits a range of musical emotions on his album When the Birds Leave. Backed by an empathetic rhythm section of top-notch players (pianist Marc Copland, bassist Drew Gress, and drummer Billy Hart), Verheyen explores a group of ebullient, introspective, and sometimes challenging compositions. Verheyen is capable of great expressiveness with his saxophone. The album begins with his composition “Rest Mode," a track that implies a shade of mystery. The sax solo poses questions that are ...

Album Review

Narcissus: No. 2

Read "No. 2" reviewed by AAJ Italy Staff


Il quartetto belga/olandese Narcissus, che in questo lavoro specifico ospita in due brani il chitarrista argentino Guillermo Celano, pratica un jazz sofficemente antigrazioso, di temperatura spesso cameristica, comunque generalmente quieta, pacata. Le geometrie interne ne risultano premiate in fatto di chiarezza e leggibilità, abbracciando ora un eloquio più discorsivo ("Entre les étoiles"), ora più aereo e sognante ("In Opening"). Eleganza e ariosità non fanno del resto difetto in nessuno dei tredici brani complessivi (a paradigma del totale può esser preso ...

Album Review

Robin Verheyen: Painting Space

Read "Painting Space" reviewed by AAJ Italy Staff


Il giovane sassofonista belga Robin Verheyen, vincitore all'età di venticinque anni del prestigioso Django D'Or, è accompagnato in questo suo secondo lavoro da leader da un trio d'eccezione. Una ritmica affiatata, Remi Vignolo al contrabbasso, Dre Pallemaerts alla batteria, e una pianista sofisticato, dal talento, non sempre riconosciuto in tutta la sua portata, come Bill Carrothers. Con partners di questo livello, Verheyen riesce ad esprimere al meglio le sue qualità di sassofonista - etereo al soprano, incisivo e geometrico al ...

202
Album Review

Robin Verheyen: Starbound

Read "Starbound" reviewed by Dan McClenaghan


Belgian-born/ New York-based saxophonist Robin Verheyen has crafted, on Starbound, an engaging form of lively chamber jazz--a label that often denotes a more sedate listening experience.Verheyen plays tenor and soprano saxophones, but here leans more toward the straight horn. The set opens with a spring-in-its-step romp, “On the House." The ensemble bubbles and burns, as pianist Bill Carrothers lays down quirky grooves behind Verhayen's sugary tone, while bassist Nicolas Thys and drummer Dre Pallemaerts sizzle along with implacable ...


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