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Jazz Articles about Fred Lonberg-Holm

6
Album Review

Ballister: Smash and Grab

Read "Smash and Grab" reviewed by Mark Corroto


A listener might have a premonition when they drop the needle on the hot pink vinyl version or push the play button on the CD or digital download of Smash And Grab by the trio Ballister. They understand, or have knowledge by way of the trio's ten previous releases, that a storm awaits them. The trio of saxophonist Dave Rempis, cellist Fred Lonberg-Holm and drummer Paal Nilssen-Love conjure a tempest of sound that simply refuses to become background music.

9
Album Review

Ivo Perelman, Nate Wooley, Mat Maneri, Fred Lonberg-Holm, Joe Morris, Matt Moran: Seven Skies Orchestra

Read "Seven Skies Orchestra" reviewed by Hrayr Attarian


Ever the intrepid innovator, saxophonist Ivo Perelman takes his music in a new direction on the double-disc set, Seven Skies Orchestra. After a long series, primarily of duets, Perelman returns to a larger ensemble setting, a sextet in this case. That is not the only difference between this release and his previous output; the music here, although still entirely improvised and easily recognizable as Perelman's, moves in a more spacious, contemplative direction, less introspective and more outgoing. Vibraphonist ...

7
Album Review

Ivo Perelman: Seven Skies Orchestra

Read "Seven Skies Orchestra" reviewed by Mike Jurkovic


In another reality, where the love one makes is what gets the headlines, the big money, the streaming specials, ceaselessly inquisitive saxophonist and downtown legend Ivo Perelman might just top the list of good guys. The guy who pushes for the better mind, the better heart, and confesses it all to tape or lacquer or binary code; chronicling one man's pursuit of the day. while hopefully inspiring others to cut the course the same. Even before the most ...

4
Album Review

Brötzmann / Leigh / Lonberg-Holm: Naked Nudes

Read "Naked Nudes" reviewed by Mark Corroto


This new trio of saxophonist Peter Brötzmann, pedal steel guitarist Heather Leigh, and Fred Lonberg-Holm operating both his cello and electronics, explore the musical equivalent of microgravity. Captured as part of the saxophonist's 80th birthday celebration concerts in August 2021 in his hometown of Wuppertal, Germany, the sounds achieve a perception of levitation. Credit the suspension of gravitational force to Leigh and Lonberg-Holm, both collaborators with Brötzmann; Leigh and the saxophonist have been working in duo together since 2015 and ...

3
Album Review

The Chicago Plan: For New Zealand

Read "For New Zealand" reviewed by John Sharpe


German reedman Gebhard Ullmann and American trombonist Steve Swell, front line comrades for over 15 years in a variety of outfits, reunite on For New Zealand for the second release from their joint led initiative The Chicago Plan. Rounding out the foursome and providing some allusion to the band's moniker are the Windy City pairing of drummer Michael Zerang and cellist Fred Lonberg-Holm (although the latter decamped to Kingston, NY in 2017 following a 22-year stay). They share deeper connections ...

7
Album Review

Dave Rempis: Chrysopoeia

Read "Chrysopoeia" reviewed by John Sharpe


Recorded at Krakow's legendary Alchemia just two days before Znachki Stilyag (Aerophonic Records, 2020), on the same European tour, the power trio Ballister comprising saxophonist Dave Rempis, cellist Fred Lonberg-Holm and drummer Paal Nilssen-Love, demonstrates an astonishing level of consistency in terms of both energy and excellence. Chrysopoeia constitutes the triumvirate's tenth release over some dozen years of existence, one which confirms that time and familiarity yield multiple benefits. While two pieces well in excess of the 20-minute ...

7
Album Review

Ballister: Chrysopoeia

Read "Chrysopoeia" reviewed by Mark Corroto


It is difficult to imagine a Ballister recording having its origins in any setting other than a live performance. The trio of saxophonist Dave Rempis, cellist Fred Lonberg-Holm, and drummer Paal Nilssen-Love fuels each performance with the audience's energy on all their recordings, including Chrysopoeia, their tenth. Not that the trio could not produce their music in a studio setting, it is just the intensity of their free jazz performances would not contain the fevered eruptions available to the music ...


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