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Jazz Articles about Kristjan Randalu

4
Album Review

Petros Klampanis: Tora Collective

Read "Tora Collective" reviewed by John Chacona


Some ideas work better on paper than on record. Take the attempts to fuse jazz and Greek popular music. There is, to be sure, a certain logic to the notion. Both traditions share an emphasis on virtuosic improvisation and a foundation in dance rhythms. Rebetika, the mournful songs of heartache, alienation and drug use brought to Greece in the population exchanges of a century ago, is, with some reason, called “the Greek blues."

5
Album Review

Patrick Cornelius: Acadia: Way Of The Cairns

Read "Acadia: Way Of The Cairns" reviewed by Chris May


No, this is not an ECM album, though, looking at the sleeve art, you would be excused from thinking it was trying to pass itself off as one. Half of the Acadia quartet is indeed European: Estonian-born, German-based pianist Kristjan Randalu and Luxembourg-born, US-based drummer Paul Wiltgen. The other half is American: alto saxophonist Patrick Cornelius and US-born, London-based double bassist Michael Janisch. The music itself is a genuinely transatlantic affair, though the US is the dominant partner: Cornelius' vigorous ...

3
Album Review

Kristjan Randalu: Absence

Read "Absence" reviewed by Mike Jurkovic


With a gathering, rubato flurry, Estonian pianist Kristjan Randalu, a Chick Corea-inspired student of the late, virtuosic and highly lyrical British pianist John Taylor and his mischievous compatriot Django Bates, begins “Forecast" in whirling descent, before the quiet storm of guitarist Ben Monder and drummer Marku Ounaskari take the weather out to sea, where Randalu threatens to revive the current again and again but instead gives way to clearing skies. Absence, Randalu's ECM debut, ricochets its motifs and ...


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