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Jazz Articles about Noah Preminger

7
Album Review

Daniel Hersog Jazz Orchestra: Open Spaces

Read "Open Spaces" reviewed by Jerome Wilson


The subtitle of this album is “Folk Songs Reimagined" and Daniel Hersog uses a very liberal meaning for the term “folk song" here. He includes traditional folk songs on this album, in addition to familiar tunes by Bob Dylan and Gordon Lightfoot and his own folk-based compositions. All are given a glistening polish in the sweeping cinematic arrangements which he writes for his orchestra, and are further enhanced by excellent solo work from a number of musicians. Hersog's ...

22
Album Review

Daniel Hersog: Open Spaces

Read "Open Spaces" reviewed by Jack Bowers


Locked down and socially distanced during the pandemic, composer-arranger Daniel Hersog had an interesting idea: rearrange some well-known and well-loved folk songs, most with Canadian roots, for jazz orchestra and throw in a handful of his own original compositions with a folk-tune ambience. The result is Open Spaces: Folk Songs Reimagined, the sophomore album by Hersog's Vancouver-based ensemble. As on his debut recording, Night Devoid of Stars (Cellar Music, 2020), Hersog welcomes a number of talented guest ...

9
Album Review

Michael Feinberg: Hard Times

Read "Hard Times" reviewed by Troy Dostert


Although the Covid pandemic has been devastating to the artistic community, and certainly jazz musicians are no exception, albums like Michael Feinberg's Hard Times point to the possibility of hopeful resilience. With a top-shelf bunch of colleagues and smart compositions with rhythmically crafty arrangements, the bassist's eighth release is a winner, with a plucky spirit and satisfying grooves in abundance. Feinberg pulled this band together in October 2020, and with folks like drummer Jeff “Tain" Watts and pianist ...

6
Album Review

Noah Preminger: Thunda

Read "Thunda" reviewed by Mike Jurkovic


There's a fascinating, affirmative equilibrium coursing throughout Thunda that words may fall short of. It's a music of purity and wonder spoken by survivors of the oddest year. It's a broad, fearless conversation between two big thinkers and all who choose to listen in, either by accident or design. Simply stated, you'll find yourself easily lost in the tight, exquisite mazes created and crafted freely by fellow metropolitans saxophonist Noah Preminger and bassist Kim Cass. “Slaughter" is a ...

2
Album Review

Noah Preminger, Kim Cass: Thunda

Read "Thunda" reviewed by Alberto Bazzurro


Noah Preminger è uno di quei musicisti che amiamo definire sul crinale: molto rispettosi della tradizione, dotati di un solismo sfavillante, robusto, grammaticalmente impeccabile, rischiano di rimanere ingabbiati in un manierismo che la loro perizia strumentale e padronanza lessicale in senso lato possono arrivare persino a presupporre, trasformando il tutto in una prigione dorata quanto alla fine priva di sbocchi (quanto meno creativi). Preminger, in realtà, ci aveva regalato sempre, nei suoi svariati album ascoltati prima di ...

Album Review

Noah Preminger: Zigsaw: Music of Steve Lampert

Read "Zigsaw: Music of Steve Lampert" reviewed by Neri Pollastri


Noah Preminger prosegue nella pubblicazione di lavori estremamente interessanti, stavolta dirigendo e interpretando un'opera non sua, ma da lui commissionata al trombettista e compositore Steve Lampert—esperienze vastissime a partire da quelle giovanili con Lionel Hampton e Gerry Mulligan, fino a maturare una personale concezione dell'improvvisazione. Si tratta di un singolare brano unico, lungo oltre quarantotto minuti, fittamente strutturato, ma al tempo stesso illuminato dalle improvvisazioni dei singoli. Il titolo, Zigsaw, rimanda da un lato all'andamento zigzagante della musica, ...

4
Album Review

Noah Preminger: Contemptment

Read "Contemptment" reviewed by Mark Corroto


If you followed saxophonist Noah Preminger's early career you might have read an interview where he revealed his fascination with boxing. The fact that he trained in the sweet science for nearly a decade while making music is evident in the pugilistic blues heard on self-released albums Pivot: Live At The 55 Bar (2015) and Dark Was The Night, Cold Was The Ground (2016). On those two recordings and Genuinity (Criss Cross, 2018), he had a perfect sparring partner in ...


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