by Paul Rauch
Jazz music is an interpretive art form, it is in fact, the quintessential American art form. This is an undeniable attribute to the genre, which over the past century has impacted musical culture internationally, sharing it's compositional and improvisational commonalities and absorbing the unique musical identities of neighboring musical movements. Certainly this is the case with the musical forms of Latin America, with notably strong contributions emanating from Brazil, Argentina, Chile, and perhaps most prominently, the Afro-Cuban rhythms ...read more
by Josep Pedro
Spanish pianist Chano Dominguez keeps on with his unique blending of flamenco and jazz with Piano Ibérico (> (Iberian Piano), an exquisite homage to some of Spain's most influential composers, including Isaac Albéniz, Manuel de Falla, Enrique Granados, and Frederic Mompou. Along with three new compositions of his own, Dominguez creates his own interpretations of these four piano composers. They are the inspirers of this work and, to me, the first flamenco pianists because they were able to take the ...read more
by Ned Sublette
Chano DominguezThe Flamenco Side of Kind of Blue" Jazz StandardNew York, NYDecember 3, 2009 I have a confession to make.
I've never listened to Kind of Blue.
Oh, I've heard the tunes over the years. You can't escape them. And I have lots of Miles Davis albums. ESP is my favorite. Jack Johnson. Various Prestige sides, which I bought as cutouts when I was a teenager. I never managed to buy Kind ...read more
by Guillem Vidal
The meeting between Chano Domínguez and All About Jazz took place hours after the opening ceremony of the 41st Barcelona International Vol-Damm Jazz Festival, starring Wayne Shorter. Chano's enthusiasm is contagious: Wayne Shorter's quartet is a fully fledged group with very clear objectives and led by one of the greatest living jazz legends," says Chano, who even though he was completing his next record with his flamenco quartet, did not miss the chimerical evening featuring the saxophonist, pianist Danilo Pérez, ...read more
by Dr. Judith Schlesinger
This is a rather different Chano from the one who first enthralled me with Hecho a Mano (Hand-made), his blazing flamenco/jazz mix recorded in Madrid in 1996 and released on Sunnyside a few years ago. On Con Alma he's replaced the handclaps and multilayered percussion with a traditional jazz trio, bringing on world-class band mates George Mraz and Jeff Ballard. But his roots are still very much in evidence from the first track, a dynamic take on a traditional song--my ...read more
by Dr. Judith Schlesinger
The cross-pollination of Latin music and jazz has been going on for decades. Typically, a jazz group will borrow Latin grooves and instrumentation, while Latin players apply their rhythms and harmonies to the American standards songbook. It's usually a rather self-conscious blending in which the genre lines are still obvious; only a few musicians have managed to make the mix organic (Chick Corea, Michel Camilo, and Al DiMeola's The Grande Passion CD come to mind).
Now we have ...read more