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Jazz Articles about Orrin Evans
Michelle Lordi: Two Moons
by Geno Thackara
The art of the jazz diva does not shy away from the dark and mysterious. From putting a spell on somebody to helplessly falling under that old black magic, the tradition always seems to include some small touch of witchery, and Michelle Lordi, for her part, does not let a modern-day sound obscure those roots. The mood of Two Moons sits somewhere between a late-night set in a small jazz club and a round of spooky stories around the campfire. ...
read moreBen Wolfe: Unjust
by Maurizio Zerbo
Sul piano compositivo e dell'organizzazione sonora, Unjust è uno dei più luminosi gioielli jazzistici degli ultimi anni. Contrabbassista di ragguardevole talento, Ben Wolfe ribadisce nel suo decimo progetto discografico la predilezione per architetture ariose ma arzigogolate, dimostrando come la scrittura jazzistica possa captare lo spirito dei tempi nel rispetto dei classici modelli di riferimento. A dimostrare come il contrabbassista statunitense non si accontenti di riprodurre le idee altrui, l'impasto sonoro del suo ottetto trascende le atmosfere post-boppistiche e ...
read moreJD Walter: What the World Needs Now
by Pierre Giroux
JD Walter beckons listeners into a soulful and captivating journey through modern jazz interpretations of non-jazz material. With his unique vocal stylings and innovative arrangements, he brings a fresh perspective to familiar popular tunes, and several jazz standards, while delivering thought-provoking original compositions. From the very first track--Stevie Wonder's “Golden Lady"--it is evident that Walter's vocal prowess is a force to be reckoned with. He dashes along in full flight and then effortlessly shifts into intricate ...
read moreRay Vega & Thomas Marriott East West Trumpet Summit: Coast to Coast
by Jack Bowers
Coast to Coast is the third East West Trumpet Summit recorded by Ray Vega and Thomas Marriott in a musical partnership that has spanned nearly three decades. The years have been kind, and when it comes to playing persuasive jazz, neither Vega nor Marriott appears to have lost a step. Marriott, a native of Seattle, and Vega, New York-born and bred, first met in 1995, and the mutual admiration and respect was immediate. Their first two albums as co-leaders were ...
read moreRay Vega & Thomas Marriott East West Trumpet Summit: Coast to Coast
by Paul Rauch
For some people, the whole notion of an east-west summit of anything in jazz brings up the perceived differences over time between American west coast jazz and its east coast counterpart. The basic premise is that jazz on the American west coast is a cousin to the cool jazz movement, a calmer, less soulful part of the tradition that relies more on composition and arrangement than the playing of individual improvisers. East coast jazz is seen more as hard driving, ...
read moreOrrin Evans: The Red Door
by Mike Jurkovic
A most generous craftsman, composer and bandleader, pianist Orrin Evans never fails to bring out the best of whoever he chooses to create with. The Red Door is gratefully, and gracefully, no exception to that rule. Whatever musical setting Evans chooses to practice his sinewy, r'n'b inflected post-bop in--sideman, big band, trio, quartet, duo, whatever--a sweet animation propels his music and buoys the players gathered around him. In this case the two core units feature bass legend Buster Williams, ...
read moreOrrin Evans: The Red Door
by Dave Linn
Orrin Evans released his debut album for quintet, “Justin Time," in 1996, at the age of 21. Over the next 25 years, Evans released over 20 albums in all shapes and sizes. From trio to standard ensembles to large bands and big bands, Evans' history included a ten-year stint as a member of the Mingus Big Band, leading to his formation of the Grammy-nominated Captain Black Big Band in 2009. Additionally, when pianist Ethan Iverson (who wrote the liner notes ...
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