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Day and Taxi, Adam Rudolph, Harish Raghavan and More

Read "Day and Taxi,  Adam Rudolph, Harish Raghavan and More" reviewed by Maurice Hogue

First out of the mixed bag of audio treats this week (it's Halloween after all!) is a track from Oliver Lake's first recording 43 years ago Ntu: The Point from Which Creation Begins. I haven't played Oliver in a while and that seemed like a good place to begin catching up. Adam Rudolph's epic project, Ragmala, combines his Go: Organic Orchestra with the Brooklyn Raga Massive for a 40-musician rhythm-rich set of music. Smaller groups debuting new releases are Swiss ...

ALBUM REVIEWS

Kidd Jordan & Hamid Drake: A Night In November - Live in New Orleans

Read "A Night In November - Live in New Orleans" reviewed by Dave Wayne

Hard to believe, but A Night In November--Live in New Orleans is the first drums / saxophone duet recording by legendary New Orleans free jazz saxophonist and educator Kidd Jordan. He's accompanied by a true kindred spirit, Hamid Drake. Though both have made names for themselves in the rarefied world of free improvisation, neither are shy about their roots in more traditional forms of jazz, blues, soul, and R&B. Jordan, now almost 80 years old, is a remarkable figure whose ...

ALBUM REVIEWS

Kidd Jordan/Alvin Fielder/Peter Kowald: Trio and Duo in New Orleans

Read "Trio and Duo in New Orleans" reviewed by John Sharpe

Tenor saxophonist Edward Kidd Jordan and drummer Alvin Fielder have been a fixture in their southern outpost for nigh on forty years, but they've rarely been heard to such good effect as on Trio and Duo in New Orleans. This wonderful two CD set brings together music from three separate dates. The first disc (also available as a double LP) comprises a 70-minute exchange between the American pair and hugely talented peripatetic German bassist Peter Kowald in April 2002, five ...

ALBUM REVIEWS

Kidd Jordan / Alvin Fielder /Peter Kowald: Trio and Duo in New Orleans

Read "Trio and Duo in New Orleans" reviewed by Glenn Astarita

Eminent avant-garde saxophonist Edward “Kidd" Jordan doesn't venture outside the New Orleans area that often, but like- minded artists will occasionally make the trip to the Big Easy to unite in the studio or for a live date. Such is the case here on this 2-disc set, capturing Jordan in trio and duo settings with late, bass great Peter Kowald and a forefather of the Association for the Advancement of Creative Musicians, drummer Alvin Fielder. The trio performance ...

ALBUM REVIEWS

Kidd Jordan & Hamid Drake: A Night In November - Live in New Orleans

Read "A Night In November - Live in New Orleans" reviewed by Glenn Astarita

New Orleans is valued for its storied traditional jazz legacy, and not so much for avant-garde persuasions. But when it comes to off-center or free-jazz music, saxophonist Kidd Jordan's artistic persona frequently becomes a topic of conversation. He's performed and recorded with iconoclastic musicians and is perhaps the Crescent City's most prolific improviser. This excursion features his duets with the exceptional Chicago jazz drummer Hamid Drake, segmented into two sets and emanating from their encounter in front of a small ...

ALBUM REVIEWS

Kidd Jordan: On Fire

Read "On Fire" reviewed by John Sharpe

Incendiary similes have always proven popular as descriptors of free jazz. Indeed, “Fire Music," has been used as a label for the whole genre. New Orleans-based saxophonist Kidd Jordan's 2006 outing, the superb Palm of Soul (AUM Fidelity), essayed a meditative calm, music which couldn't be more different from the accurately named 50-minute studio session On Fire. While bassist Harrison Bankhead and drummer Warren Smith would be eminently suited to a contemplative, even melodically inclined date, here they too pursue ...

ALBUM REVIEWS

Kidd Jordan: On Fire

Read "On Fire" reviewed by Hrayr Attarian

Tenor saxophonist Edward “Kidd" Jordan is one those rare musicians who is able to imbue the freest, most advanced improvisations with extreme lyricism and build complex harmonies out of dissonant notes. On Fire showcases his sublime musicianship to the fullest. On “Officer, that Big Knife Cuts My Sax Reeds," Jordan's breaths fire on an emotionally cathartic and furious solo, replete with honks and shrieks that grow more quietly contemplative yet also more elaborate as the piece progresses. ...


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