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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Bruce Hornsby: Non-Secure Connection

Read "Non-Secure Connection" reviewed by Geno Thackara

It's hard to imagine Bruce Hornsby's listeners being fazed much by anything he does anymore. Harmonic layers of semi-processed voice drones in an ambient haze? Classy strings crossed with jarringly angular piano and over-jokey lyrics about internet girls? After a career that's touched on jazz and bluegrass as prominently as folk and classical, his familiar crowd knows how to take it all in stride. He could attempt perhaps the most smoove-jiving half-sincere-half-parody R&B pastiche ever, and hardly anyone would bat ...

LIVE FROM PHILADELPHIA

Bruce Hornsby and yMusic at the Merriam Theater

Read "Bruce Hornsby and yMusic at the Merriam Theater" reviewed by Geno Thackara

Bruce Hornsby and yMusic The Merriam Theater jny: Philadelphia, PAMarch 4, 2020 “It's, what, our fourth show? We should have it together by now," Bruce Hornsby laughed during one between-song lull while a couple of his cohorts quickly tuned up. The joke was that he'd forgotten the planned order of songs to be played, though that's certainly understandable for someone normally used to winging it without a set list at all. To listen to the ...

ALBUM REVIEW

Bruce Hornsby: Absolute Zero

Read "Absolute Zero" reviewed by Geno Thackara

While the music world has plenty of explorers, Bruce Hornsby is still one of its most restless Marco Polos. Where he's often made a habit of bouncing from one thing to another for a whole album at a time--solo contemporary piano, yee-haw bluegrass, piano-less folk, jazz trio, film score and stage musical--he's in full, glorious, kitchen-sink mode this time around. Don't read too much into the title. Absolute Zero gleefully zips all over the style map with the exact opposite ...

LIVE REVIEW

Bruce Hornsby & The Noisemakers with Los Lobos At The Flynn Center for the Performing arts

Read "Bruce Hornsby & The Noisemakers with Los Lobos At The Flynn Center for the Performing arts" reviewed by Doug Collette

Bruce Hornsby & The Noisemakers w/ Los Lobos Flynn Center for the Performing Arts Burlington, Vermont July 20, 2018 Given the musicianly approach Bruce Hornsby has applied to his career, it makes perfect sense for him to tour with Los Lobos. With his bands (originally the Range and now the Noisemakers) and in collaborations with like like-minded artists such as the Grateful Dead, Bela Fleck and Pat Metheny, the keyboardist/vocalist/composer has put more premium on ...

ALBUM REVIEW

Bruce Hornsby and the Noisemakers: Rehab Reunion

Read "Rehab Reunion" reviewed by Geno Thackara

A Bruce Hornsby album with no piano seems sort of like a Chinese dinner without rice. Well, upon further consideration it may not be quite as crazy as it sounds. The man's career is defined by nothing if not restlessness, and he's managed to do something fresh and different almost every time out. The most surprising thing he could do would be to not surprise us somehow. Rehab Reunion shows that that danger is as remote as ever. ...

INTERVIEW

Bruce Hornsby: The Master of Levitation

Read "Bruce Hornsby: The Master of Levitation" reviewed by Mark F. Turner

For more than 20 years, singer/songwriter, pianist/composer, and band-leader Bruce Hornsby, has proven to be a survivor in an ever changing music environment. From winning multiple awards including a Grammy for Best New Artist in 1987 for the multi-platinum album The Way It Is (RCA, 1986) with his band The Range, to dual releases in 2007 (on Sony/Legacy)--a foot-stomping bluegrass duo Ricky Skaggs & Bruce Hornsby and the swinging jazz trio outing Camp Meeting, with drummer Jack DeJohnette and bassist ...

ALBUM REVIEW

Bruce Hornsby & the Noisemakers: Levitate

Read "Levitate" reviewed by Mark F. Turner

It is an oxymoronic but accurate statement that would describe Bruce Hornsby as a contemporary traditionalist. Traditionalist in the sense that his music is steeped in the heartland of America--a riverboat pianism with not only the blues, but also jazz and pop; a storyteller whose song vignettes portray the everyday lives of ordinary folk as heard in his many releases beginning with the multi-million selling debut album, The Way It Is (RCA, 1986). Yet he is a contemporary who is ...


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