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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Aaron Parks: Little Big II: Dreams of a Mechanical Man

Read "Little Big II: Dreams of a Mechanical Man" reviewed by Friedrich Kunzmann

Back with his second effort under the Little Big moniker, Aaron Parks stretches out the concepts that had been established on the group's debut recording and presents an even tighter display of original jazz meets pop blended instrumentals. As on predecessor Little Big (Ropeadope Records, 2018), each bar and every measure of each track have been carefully conceived, logically constructed and unwound to form a complete picture. The foundations are through-composed, the band's interplay however is as dynamic and lively ...

RADIO

A Jazz Immuno-Booster: Part 5

Read "A Jazz Immuno-Booster: Part 5" reviewed by Ludovico Granvassu

Back to popular demand! Here's some more musical therapy for these trying times, the fifth installment of this popular mix-tape series, featuring selections by Tim Berne, Theo Bleckmann, Stefano Bollani, Tommaso Cappellato, Taylor Ho Bynum, Dominique Fils-Aimé, Mats Gustaffson, Maya Keren, Brad Mehldau, Aaron Parks, Rosa Brunello and Ben Wendel. Happy listening! Stay safe and sane with the help of great music! For details on the tunes see the playlist below. If you're curious about the ...

INTERVIEW

Aaron Parks: Finding the Way to Little Big

Read "Aaron Parks: Finding the Way to Little Big" reviewed by Jiaowei Hu

"Always beginning. Often perplexed. Drawn to beauty and to the absurd. I play piano, write songs, and take pictures of doors with my phone. A bit odd." So is the pianist's own account on his website, written in a few scribbled sentences. About a decade ago, Aaron Parks created much of a stir through his debut album Invisible Cinema (Blue Note Records, 2008). In the cover image, the then new star was standing right before a closing door. Ten years ...

RADIO

Aaron Parks on Music, Mathematics and Making the Scene

Read "Aaron Parks on Music, Mathematics and Making the Scene" reviewed by Leo Sidran

How does pianist Aaron Parks describe himself? “A bit odd. I play piano, write songs, and take pictures of doors with my phone." Raised on a small island near Seattle, Washington, Aaron found himself hungry for more creative and intellectual stimulation than his immediate surroundings could offer. He enrolled in college at the age of 14, studying music, math and computer science. It wasn't long before he dropped the math and computer stuff and focused on music; he ...

ALBUM REVIEW

Aaron Parks: Little Big

Read "Little Big" reviewed by Mike Jurkovic

Pianist/composer Aaron Parks' recording career began when, at the impressionable age of eighteen, he signed on with Terrence Blanchard and recorded several noted albums with the trumpeter, most notably the soundtrack to Spike Lee's Invisible Man and Blanchard's own, Grammy winning A Tale of God's Will (Requiem for Katrina (Blue Note, 2007). In the creative interim there have been other recording ventures, including his highly regarded Blue Note Records debut, Invisible Cinema (2008), and his elemental solo excursion on ECM, ...

ALBUM REVIEW

Aaron Parks: Little Big

Read "Little Big" reviewed by Glenn Astarita

The press release for highly praised keyboard/composer Aaron Parks's (Kurt Rosenwinke, Terence Blanchard) latest album states: “after experimenting with various lineups and sessions, Parks landed on three musicians ideally suited for this atmospheric, genre-bending new work." And after listening to this inspiring session it's easy to discern why Parks needed time and a bit of prudence to fulfil his personalized mission of original genre-hopping compositions, that gel to a synergistic group-focused vibe. Here, it seems that the artist has reached ...

ALBUM REVIEW

Aaron Parks: Little Big

Read "Little Big" reviewed by Friedrich Kunzmann

After an absence from activity as a leader, pianist and composer, Aaron Parks reemerged in 2017 with a new trio formation, releasing the highly acclaimed Find The Way (ECM), which carried on the unique harmonic language found four years prior, on the solo Arborescence (ECM, 2013). Today's Little Big, however, comes much more in the vein of his major label debut, Invisible Cinema (Blue Note 2008). The modern approach of an electric band, slower harmonic progressions and more immediate melodic ...


ENGAGE

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