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Tom Kennedy: In A New York Minute

Read "Tom Kennedy: In A New York Minute" reviewed by Jim Worsley

Riding high on the low end since arriving in New York City in 1984, premier jazz and fusion bassist Tom Kennedy has shared his groove and innate musicality all over the world. He has shared the stage and recording studio with a long list of varied and talented artists. Names like Michael Brecker, Steve Gadd, Lee Ritenour, David Sanborn, Freddie Hubbard, Dave Weckl, Joe Sample, and Nat Adderley merely scratch the surface of Kennedy's association with outstanding musicians. Signature deep ...

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Tom Kennedy: Points of View

Read "Points of View" reviewed by Geno Thackara

Tom Kennedy is one of those behind-the-scenes players who's been all over the place in the jazz world. His bass is adaptable to just about any context, simple or tricky; he's been recruited for a solid low end by players from crooner Tania Maria to prog wizard Derek Sherinian. One of his steadiest ongoing stints has been a spot alongside Dave Weckl in several of his ensembles, mostly (though certainly not always) in the electrified fusion realm. With his fifth ...

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Tom Kennedy: Just Play!

Read "Just Play!" reviewed by Dan Bilawsky

Bassist Tom Kennedy is often relegated to the back of the stage, both in literal and figurative terms. He's an in-demand sideman, well-known for his work with guitarist Mike Stern, his decades-long musical relationship with drummer Dave Weckl, and his studio work with everybody from guitarist Lee Ritenour to clarinetist Ken Peplowski, but he doesn't get noticed often enough in those situations; he really draws attention, however, when he takes control, as on this standards-based set. Just ...

ALBUM REVIEWS

Tom Kennedy: Just Play!

Read "Just Play!" reviewed by Edward Blanco

An accomplished musician known for his prowess on electric bass, Tom Kennedy fronts a nine-piece ensemble of top-notch players delivering engaging new interpretations of well-known jazz standards on Just Play!, his fourth album as leader. While much of his experience performing progressive and mainstream jazz has been on the electric bass, Kennedy's first experience began on double bass at the age of eleven. Here, the bassist leads the performance on his vintage St. Louis legend Jerry Cherry Bohemian upright bass.