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Acceleration Due To Gravity: Jonesville
by Pierre Giroux
Bassist, composer and arranger Moppa Elliott's uniquely-titled nonet Acceleration Due To Gravity presents Jonesville a gravity- defying jazz odyssey. It pays a captivating homage to influential bassist Sam Jones by weaving a sonic tapestry which transcends the boundaries of conventional jazz. In this brief seven-track, twenty-one-minute outing, four compositions are by Elliott, with the remainder being Sam Jones' originals. The members of the octet who participated in this unusual musical excursion are trumpeter Bobby Spellman, trombonist Dave Taylor, alto saxophonist ...
read moreMoppa Elliott's Acceleration Due To Gravity: Jonesville
by Mike Jurkovic
Whatever 'script renegade bassist/composer Moppa Elliot takes on a daily basis, he should be made to share with the rest of the world. Whatever that tonic, whatever that pill, whatever that gumbo scented elixir is, let us have it now. Elliot may not want to open up his private stash to the public, but he sure knows how to let it fly in the music he and his nonet--Acceleration Due to Gravity--put forth on the rightly raucous and ...
read moreThree-Layer Cake: Stove Top
by Chris M. Slawecki
If nothing else, the trio of Mike Pride (drums, marimba, glockenspiel, bells, organ), Brandon Seabrook (guitar, banjo, tapes) and Mike Watt (bass) deserves a “truth in advertising" award, because Stove Top, their first collaboration, is precisely that: a three-layer instrumental cake. Stove Top began cooking when Pride appeared as a guest on Watt's podcast. Suspecting their musical connection, Pride recorded a series of drum tracks and sent them to Watt, who laid down matching bass tracks and then ...
read moreMike Pride: From Cradle to Grave
by Troy Collins
Since the turn of the millennium, drummer, composer and bandleader Mike Pride has established a strong presence in the fertile Brooklyn scene. Pride's diverse interests include a wide range of styles; his myriad projects run the gamut from avant-garde jazz and indie rock to neo-classical chamber music and performance art. Encompassing key aspects of all these genres, the simultaneously issued Birthing Days and Drummer's Corpse are Pride's most personal endeavors to date--a fascinating pair of recordings that stand in diametrical ...
read moreMike Pride's From Bacteria To Boys: Betweenwhile
by John Sharpe
Even though drummer/composer Mike Pride has appeared on over 70 albums, ranging from avant rock to blues, he remains not as well-known as he might be in the jazz field. Betweenwhile is likely to change that. Pride's From Bacteria to Boys has existed in various lineups since 2005, but the current foursome first came together in 2009 and clicked immediately. Although the drummer's collaborators exhibit a similarly eclectic work ethic (with the likes of saxophonist Darius Jones, a rising star ...
read moreMike Pride’s From Bacteria to Boys: Betweenwhile
by Nic Jones
Drummer Mike Pride is nothing if not busy, as a list of past collaborators including Milford Graves, George Lewis and Mary Halvorson shows. Such collaborations inevitably testify to his range, as does Betweenwhile, the second release by his working quartet. The trouble might be, however, that this very range dilutes the group's identity. Thus the two Monkian minutes of “Rose" are in contrast with the knottily Braxtonian “It Doesn't Stop," where alto saxophonist Darius Jones has to ...
read moreMike Pride’s From Bacteria to Boys: Betweenwhile
by Mark Corroto
Certainly, any attempt to pigeonhole this drummer is a lesson in failure; priding himself in his diverse interests, whether recording a duet album of free improvisation with Jon Irabagon, on I Don”t Hear Nothin' But The Blues (Loyal Label, 2009), or playing with punk band Millions Of Dead Cops, Mike Pride he has also distinguished himself as a dynamic and responsive sideman to the likes of Andrew D'Angelo, Jason Stein, and Jack Wright. He leads--or is a contributing partner to--the ...
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