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Mike Reed's Flesh & Bone Live at BIMHUIS Amsterdam

Read "Mike Reed's Flesh & Bone Live at BIMHUIS Amsterdam" reviewed by BIMHUIS

Mike Reed's compositions for Flesh & Bone are both deeply personal and brimming with hope. They represent his expressions of feeling about social unrest, racism and resurgent nationalism. On his eponymous album, the Chicago-based musician recollects harrowing memories of a confrontation with far-right protesters on a train journey with his band through Eastern Europe. For this project, his four-piece band has been expanded to include a cornet player and a bass clarinetist. Poet and performer Marvin Tate plays an important ...

ALBUM REVIEW

Mike Reed: Flesh & Bone

Read "Flesh & Bone" reviewed by Troy Collins

Years in the making, Flesh & Bone was inspired by a racist incident Chicago-based drummer Mike Reed experienced in 2009. While on a European tour, Reed and his band, People, Places & Things, were caught in a neo-Nazi rally in the Czech Republic. Reed's ensemble--half black, half white--had been deliberately deceived into boarding a train bound for the small town of Prerov, where an anti-Gypsy protest was in the process of erupting into a full-blown skinhead riot. Fortunately, for Reed ...

ALBUM REVIEW

Mike Reed's People, Places and Things: A New Kind of Dance

Read "A New Kind of Dance" reviewed by Glenn Astarita

You can always count on drummer, bandleader Mike Reed to jar your neural network on a per-album basis. Indeed, he's a propulsive force; an acute progressive jazz visionary, and a luminary in Chicago's forward-moving improvisational dynamic, while also hosting and promoting jazz/improvisation festivals in the Windy City. Otherwise, his People Places & Things unit strikes again on a A New Kind of Dance, featuring guest artists, pianist Matthew Shipp and trumpeter Marquis Hill lending their respective goods on several tracks. ...

ALBUM REVIEW

Mike Reed's People, Places and Things: A New Kind of Dance

Read "A New Kind of Dance" reviewed by Hrayr Attarian

As a drummer, promoter and composer Mike Reed is a standard bearer for Chicago's creative music scene. His club Constellation is a hot bed for improvisation and innovation that often defy narrow genre-isms. His unique musicianship, meanwhile, is on display on his many recordings particularly ones with his groups; People, Places and Things and Loose Assembly. The intriguing A New Kind of Dance is his tenth album as a leader and the sixth with People Places and Things. ...

ALBUM REVIEW

Mike Reed's People, Places & Things: Clean on the Corner

Read "Clean on the Corner" reviewed by Troy Collins

Originally founded in 2008 to commemorate the lesser known “people, places & things" that have historically supported Chicago's progressive jazz scene, Mike Reed's ensemble of the same name continues to ply its bold interpretations of lesser known covers and swinging originals on Clean on the Corner, their fourth recording for 482 Music. Although this session breaks from the prevailing concept that defined their first three releases, it continues to skillfully balance inside and outside traditions, drawing inspiration from past antecedents ...

ALBUM REVIEW

Mike Reed: People Places and Things: Clean On The Corner

Read "People Places and Things: Clean On The Corner" reviewed by Mark Corroto

The fourth installment of drummer Mike Reed's People, Place & Things project departs from his original modus operandi of paying tribute to the Chicago jazz and improvised scene circa 1954-1960. Despite this, Reed could not divorce himself of his heritage; Clean On the Corner bristles with the legacy of Chicago's broad sounds and the inspiration of the AACM (Association for the Advancement of Creative Musicians).As with his previous discs--Stories And Negotiations (482 Music, 2010), About Us (482 Music, ...

ALBUM REVIEW

Mike Reed's People, Places & Things: Stories And Negotiations

Read "Stories And Negotiations" reviewed by Martin Longley

This third album by Mike Reed's People, Places & Things (PP&T) takes its position as the most direct manifestation of the combo's agreed purpose. The Chicago drummer has begun a journey of rediscovery, or even introduction, to the old jazz sounds of that city's late '50s period. Reed's concept is not to reproduce, but to respond to vintage sounds via the platform of a modern-day band. Usually, PP&T takes the shape of a quartet, but for this ...


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