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Jazz Articles about Mark Helias
Ivo Perelman / Mark Hellias / Tom Rainey Truth Seeker: Truth Seeker
by Mike Jurkovic
Saxophonist Ivo Perelman has a very deep understanding of time and space. He knows deep down these things, these oddly elusive concepts that bind us to the irreparable now, are truly meant to serve as agents of creation, of freedom. Of the freedom to create without corruption. He also senses on the most granular level that creation is a minute-by-minute thing. Or it should be. On his umpteenth release of the new year, Perelman, in studio for the ...
read moreQuinsin Nachoff: Stars and Constellations
by Vincenzo Roggero
Quinsin Nachoff è personaggio atipico nell'attuale panorama musicale. Attivo e apprezzato interprete di musica classica come di musica improvvisata, continua a operare con successo in entrambi i campi ma da anni,--attraverso lavori commissionati ad hoc, progetti multimediali che coinvolgono esperti di fisica, cineasti, orchestre da camera, quartetti d'archi --, sta portando avanti una personale visione delle possibili convivenze tra i due mondi musicali. Niente di nuovo, si dirà--senza scomodare ingombranti richiami alla Third Stream Music--sono numerosi i ...
read moreMatthew Shipp & Mark Helias: The New Syntax
by John Sharpe
Pianist Matthew Shipp particularly favors the duo format. Among a discography of more than 300 entries are winning combinations with partners as varied as trumpeter Nate Wooley, violist Mat Maneri, and saxophonists Darius Jones, Rob Brown and Evan Parker. But he retains a special fondness for the bass/piano twosome, accounting for multiple meetings with longtime comrade William Parker and the current occupant of the bass chair in his trio, Michael Bisio. To that illustrious roster can also be added his ...
read moreErik Friedlander: A Queens' Firefly
by Vincenzo Roggero
Il violoncello di Erik Friedlander, dolcissimo, introduce la melodia, poi gradualmente le altre voci si aggiungono con delicatezza, quasi con circospezione a dar forma a una ballad sognante. È la title track, il brano che apre il disco e sembrerebbe marcare in qualche modo il terreno, garantire coordinate di viaggio sicure. Succede invece che già la successiva «Match Strikes» sembra perdere il segnale e scombinare traiettorie, con il pizzicato e le svisate del violoncello, le leggere dissonanze ...
read moreGordon Grdina: Pathways
by Mike Jurkovic
Unlike most of our country where we can not even share the same basic facts and truths, musicians intuitively seek out, discover and discourse in an integral, common language. Pathways revels in and celebrates that common vocabulary. Enjoying what could be the most prolific and adventurous period of his Juno Award-winning career, guitarist/oudist Gordon Grdina's sixth recording in just under a year, including the brazenly alluring Boiling Point (Astral Spirits, 2022) and the hypnotic Oddly Enough: The Music ...
read moreErik Friedlander: A Queens' Firefly
by Troy Dostert
When a cello is your calling card, it is only to be expected that the “chamber jazz" label will tend to follow you around--and so it has for Erik Friedlander, although that term hardly does justice to the variegated possibilities he sets in motion through his assorted projects. Having worked with a “who's who" list of cutting-edge musicians including Myra Melford, Dave Douglas, Sylvie Courvoisier, John Zorn, and countless others including artists well outside the jazz world such as the ...
read moreGordon Grdina/Mark Helias/Matthew Shipp: Pathways
by Dan McClenaghan
Gordon Grdina, guitarist and oud player, has cranked things up into high gear in terms of CD release productivity. This is a good thing. When artists regularly release albums--two to four or five or six a year, which was common during Blue Note Records' heyday in the late 1950s and early 60s--their artistry evolves more quickly. Grdina, at the halfway mark of 2022, has already offered up four albums for the year, an output that has lifted his artistry into ...
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