Jazz Articles about Tom Christensen

Spin Cycle: Spin Cycle III

by Mark Corroto
March 30, 2022

The quartet we know as Spin Cycle delivers III, the band's follow up to Assorted Colors (Sound Footing Records, 2018). Here, the compositional partners Scott Neumann and Tom Christensen exercise their omnivorous tastes on a broad --ranging spectrum of sound. Like their previous two albums, the pair employ guitarist Pete McCann and bassist Phil Palombi, two über sidemen to accomplish their insatiable need to explore multiple genres and eras. There is something here for everyone. The opening track ...

Spin Cycle (Tom Christensen & Scott Neumann): Spin Cycle III

by Dan McClenaghan
March 28, 2022

Spin Cycle III, by the group Spin Cycle, co-led by drummer Scott Neumann and saxophonist Tom Christensen, opens in a high octane mode, via Neuman's sizzling drums, Pete McCann's stinging guitar and Phil Palombi's muscular, juiced-up bass laying down a precision foundation, with the crisp articulation of Christensen's tenor sax out front. The tune is “Churn," written by the saxophonist, and it has a fine focus of a hot fusion romp. “Drain The Swamp," another composition from Christensen, ...

Tom Christensen: Outside the Comfort Zone

by Paul Olson
July 5, 2005

Reedsman Tom Christensen's third and newest CD, New York School, may be the best jazz album of the year, but he hasn't appeared out of nowhere; his years of sidework--for example, with the Toshiko Akiyoshi Jazz Orchestra--and his two previous albums under his own name have steadily impressed people in the jazz world, converting them to his multi-instrumental virtuosity (he plays tenor and soprano sax, oboe, English horn and various flutes and clarinets, all well) and his unique and austere ...

Tom Christensen: New York School

by AAJ Staff
June 8, 2005

Modern jazz sometimes seems a bit schizophrenic, caught between the extremes of intellectual abstraction and spiritual seeking, and the more ambitious sort often fails because it can't find intuitive connections between the two. Horn multi-instrumentalist Tom Christensen's third release in six years is a pleasure from start to finish because it manages to simultaneously embrace thought and emotion, interweaving the two in constantly evolving, often unpredictable ways. Christensen is joined by percussionist Satoshi Takeishi, a veteran of his two previous ...

Tom Christensen: New York School

by Jerry D'Souza
May 4, 2005

Art begets art. Tom Christensen composed the music for this record based on the work of a group of poets and painters from the fifties and sixties known as the New York School. Frank O'Hara wrote some of his poems inspired by the paintings of Jackson Pollock, Jasper Johns, and Grace Hartigan. In turn, some of their paintings were inspired by his poems. Christensen used not only these collaborations, but also a poem or painting as a reference point. And ...

Tom Christensen: New York School

by John Kelman
April 25, 2005

While woodwind multi-instrumentalist Tom Christensen has been making his presence known on the New York scene over the past decade, recording with artists including Joe Lovano, David Sanchez, and Toshiko Akiyoshi, he's been slowly, almost insidiously, emerging as a composer of remarkable depth and invention. His latest release, New York School, is one of those very rare recordings that manages to create its own musical universe. It's almost impossible to take this stunning disc out of the player.

Recordings that ...

Tom Christensen: Paths

by Mark Corroto
January 2, 2003

Like his previous release Gualala (Naxos 2000) where he plays a jazz oboe, multi-reedist Tom Christensen adds the French horn to his piano-less quartet on Paths. But this band's second outing with wood flutes, bass flutes, clarinets and hand drumming is not about eccentricity.

Christensen and company are all about making beautifully accessible yet adventurous music. Just as bassist Ben Allison has been doing in his own groups, Christensen expands the definition of jazz from a small group ...