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ALBUM REVIEWS

Arve Henriksen: The Timeless Nowhere

Read "The Timeless Nowhere" reviewed by John Eyles

Released as a limited-edition four-LP set, including the music on two CDs--a total of forty-two tracks, running for over one-hundred-and-fifty-six minutes--Arve Henriksen's The Timeless Nowhere mainly comprises new recordings and unreleased material dating from 2007 to 2019. (Only the live recordings from the 2017 Punkt festival have previously been available, by streaming or download.) Not a compilation of past releases, it serves well as an overview of the trumpeter's work and explorations. Each of the four albums has its own ...

ALBUM REVIEWS

Arve Henriksen: The Height of the Reeds

Read "The Height of the Reeds" reviewed by John Eyles

For the year 2017, Hull, a northern port on the east coast of England, was selected as the UK City of Culture. This led to the city commissioning or organising a series of artistic and cultural events throughout the year. One such event was the commissioned work “The Height of the Reeds" which celebrated the long seafaring relationship between Hull and Scandinavia. Composed by the Norwegians Arve Henriksen, Eivind Aarset and Jan Bang, for three months from April ...

ALBUM REVIEWS

Arve Henriksen: Towards Language

Read "Towards Language" reviewed by John Eyles

Following hot on the heels of Rimur (ECM, 2017), Towards Language is Arve Henriksen's second album of 2017 and brings his tally of releases to ten in the past five years. One of the more remarkable things about Henriksen is that even though the quantity of releases increases, their quality remains as high as ever. All of the hallmarks that make his music distinctive are still in place, as good as ever--the haunting melodies, soaring falsetto vocals and exquisitely beautiful ...

REDISCOVERY

Veslefrekk: Veslefrekk

Read "Veslefrekk: Veslefrekk" reviewed by John Kelman

VeslefrekkVeslefrekkNORCD1994 Before there was Supersilent--the renowned Norwegian noise improv group that was a seminal part of the flurry of creative Norwegian activity that, between 1997 and 1998, literally shook the world of improvised music and brought a number of artists, including Nils Petter Molvaer, Bugge Wesseltoft and Eivind Aarset, to far greater international acclaim--there was Veslefrekk ("Little Rude," in Norwegian). But none of these artists--as exceptional, daring and, ultimately, influential as they would come to ...

ALBUM REVIEWS

Arve Henriksen: Arve Henriksen: The Nature of Connections

Read "Arve Henriksen: The Nature of Connections" reviewed by Karl Ackermann

There are musicians who defy compartmentalization based on ever shifting interests and styles. Fewer are those like trumpeter Arve Henriksen whose organic nature precludes musical definition. Throughout his career as a leader on the Rune Grammofon label, he has created collections that seem bound together only by his presence. The delicate Asian influences of Sakuteiki (2001), the electronics of Strjon (2007) and the poetically haunting Places of Worship (2013) bear little resemblance to each other save the sometimes intangibly recognizable ...

MULTIPLE REVIEWS

Three new releases on Rune Grammofon

Read "Three new releases on Rune Grammofon" reviewed by John Eyles

Norway's Rune Grammofon label long ago established itself in the front rank, initially based on releases by the group Supersilent plus releases including its members Deathprod (Helge Sten), Ståle Storløkken and Arve Henriksen. In addition, the label has gradually built up an impressive roster including such Scandinavian artists as Alog, Fire!, Jenny Hval, Motorpsycho and Susanna and the Magical Orchestra. Consequently, although Supersilent 12 cannot be far away, Rune Grammofon has been well placed to cope with the group's relative ...

EXTENDED ANALYSIS

Arve Henriksen: The Nature of Connections

Read "Arve Henriksen: The Nature of Connections" reviewed by John Kelman

Few artists could call an album The Nature of Connections with as much veracity as Norwegian trumpeter Arve Henriksen. There's been the myriad of collaborations on his own albums--just a small handful of the contributors to recordings including Places of Worship (Rune Grammofon, 2013), Cartography (ECM, 2008), Strjon (Rune Grammofon, 2007) and Chiaroscuro (Rune Grammofon, 2004) including producers/Punkt Festival co-directors Jan Bang and Erik Honoré; bassist Lars Danielsson; drummer Audun Kleive; Supersilent mates, keyboardist Ståle Storløkken and guitarist Helge Sten; ...


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