Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

James Falzone: The Room Is

Read "The Room Is" reviewed by Mark Corroto

Legend has it that Jimmy Giuffre harbored a vehement distaste for the use of percussion in his ensembles. He found drummers distracting, irritating and clamorous. By the time he recorded the classic records 1961 (ECM, 1992) and Free Fall (Columbia, 1963) he had jettisoned drummers from his piano and bass trio. It must have driven marketing executives mad. How would listeners follow the music? Who kept the time? What's with all this freedom?Exactly, what is with all this ...

ALBUM REVIEW

James Falzone - The Renga Ensemble: The Room Is

Read "The Room Is" reviewed by Glenn Astarita

Enterprising Chicago-based clarinetist James Falzone and a core band of fellow improvisers signal a modern day avant-jazz summit, inspired by the leader's affinity for Renga, which is a Japanese poetic tradition where 2 or more poets work in parallel to produce a new work. Falzone yields dividends by enlisting an ensemble, featuring prominent trailblazers of the modern era's improvising circuit such as Ken Vandermark, Ben Goldberg, Ned Rothenberg and others of note. The performers' inner-workings are implanted within a holistic ...

ALBUM REVIEW

Klang: Tea Music

Read "Tea Music" reviewed by Lyn Horton

Four musicians from Chicago, led by clarinetist James Falzone, call themselves Klang, which is the German word for “sound." But Klang's debut, Tea Music, projects more than just sound; it goes deeper than that. The music is a re-examination of Jimmy Giuffre's combination of vibes and clarinet in his late-1950s ensembles. Bassist Jason Roebke and drummer Tim Daisy join vibraphonist Jason Adasiewicz and Falzone to create an album that alternates between fast and moderate rhythms; and haunting and colorful tunes. ...

ALBUM REVIEW

Klang: Tea Music

Read "Tea Music" reviewed by Troy Collins

Formed in 2006 for a now defunct improvised music series, Klang has since become one of Chicago-based clarinetist James Falzone's primary working groups. An update of the swing era clarinet and vibes combination popularized by Benny Goodman and Lionel Hampton, the quartet (which features vibraphonist Jason Adasiewicz, bassist Jason Roebke and drummer Tim Daisy) taps into some of Falzone's fondest indulgences on their studio debut, Tea Music, including a series of compositions inspired by clarinetist Jimmy Giuffre's 1950s-era small combo ...

ALBUM REVIEW

James Falzone / Klang: Tea Music

Read "Tea Music" reviewed by Mark Corroto

The much-admired 1950s work of clarinetist Jimmy Giuffre is the inspiration for James Falzone's quartet, known as Klang. But like most things emanating from the insular world of Chicago jazz, the signature is never forged.

Falzone, a clarinetist, has explored many musical forms, from classical and chamber music to French folk and jazz. He has played with Jorrit Dijkstra's Flatlands Collective and collaborated with Steve Lacy, Joe Maneri, and Fred Lonberg-Holm. Klang formed in 2006 when Falzone and ...

ALBUM REVIEW

James Falzone / Jason Adasiewicz / Jason Roebke: Klang

Read "Klang" reviewed by Mark Corroto

Dudley Bayne's fledgling Luminescence label was formed to capture moments in time that may never repeat again. The pianist found the Chicago scene a whirlwind of activity, with soon-to-be famous musicians forming multiple groups, and he began recording their shows. His Luminescence Live releases are a series of limited edition discs documenting some very creative music making.

Klang, recorded in 2007, is a quartet begun by Falzone that favors a modern chamber jazz sound. The reeedman--heard here on ...

ALBUM REVIEW

James Falzone / Allos Musica: The Sign and the Thing Signified

Read "The Sign and the Thing Signified" reviewed by Jerry D'Souza

Clarinetist James Falzone finds the inspiration for his music in various sources, among them the study of signs and symbols. It is from this aspect that this CD gets its name.

Falzone brings several musical styles into his compositions. He is an articulate and interesting composer who utilizes the structure of classical music, the rhythms of Klezmer, the spark of polytonality and an abandon witnessed in free blowing to build a vibrant body.

Arkasia captures these elements for a stunning ...


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