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INTERVIEWS

Scott Colley: Staying In The Moment

Read "Scott Colley: Staying In The Moment" reviewed by Mark Sullivan

Bassist Scott Colley was involved in three of the most well attended performances at the 2015 Detroit Jazz Festival: the Pat Metheny Trio with guest Kenny Garrett on opening night; the Pat Metheny/Gary Burton Quartet Reunion on Saturday night; and the grand closing performance featuring the North American premiere of Pat Metheny's “Hommage" to Eberhard Weber on Monday night. Our conversation ranged from lessons learned from early mentors, to the bass role in jazz ensembles, to working on “Hommage."

ALBUM REVIEWS

Scott Colley: Empire

Read "Empire" reviewed by Mark F. Turner

Empire is another exceptional release by Scott Colley, the first-call bassist whose deep strings have been the mainstay with numerous leading artists and a part of several fine recordings including drummer Antonio Sanchez's outstanding Live in New York at Jazz Standard (Cam Jazz, 2010). “January," the album's opener, sets a mood that is as cinematic as it is compelling. The twang of strings from Bill Frisell's guitar, the whispered wind song of percussive bells from drummer Brian Blade, and the ...

ALBUM REVIEWS

Scott Colley: Empire

Read "Empire" reviewed by John Kelman

One of jazz's most ubiquitous bassists, Scott Colley has only released a handful of albums as a leader, compared to hundreds of sessions and live dates with artists ranging from Jim Hall and Andrew Hill to Chris Potter and Antonio Sanchez. Architect of the Silent Moment (CamJazz, 2007), was a particularly impressive combination of head and heart, traditional roots and forward thinking, acoustic and electric. One of 2007's best , it was a turning point for Colley--a new path that ...

ALBUM REVIEWS

Scott Colley: Architect Of The Silent Moment

Read "Architect Of The Silent Moment" reviewed by Budd Kopman

A work that presents a deeply mined and singular mood, Architect Of The Silent Moment is subdued yet coolly intense. The album presents a unified musical vision built on bass vamps and grooves with little true melodic development or harmonic changes, allowing the soloists much freedom within each defined section. While the prevailing feeling created is one of introspection and thoughtfulness, elation and clarity break through many times. This is not music that presents obvious, clear forms ...

ALBUM REVIEWS

Scott Colley: Architect of the Silent Moment

Read "Architect of the Silent Moment" reviewed by Fred Bouchard

For bassist Colley's Architect of the Silent Moment, a conceptual construct (more poetically, a fantasia) for small ensemble, the oft-quoted dictum has rarely seemed more apposite: “Less is more. Colley starts with a core quartet of Ralph Alessi (trumpet), Craig Taborn (keyboards) and Antonio Sanchez (drums), and guests emerge and disappear throughout the subtle, largely written, 54-minute work. Dave Binney's alto fleshes out dodge-and-weave frontlines that recall Shorter/Davis, and wails his lone caterwaul on “From Within. Mouth-harpist Gregoire Maret limns ...

INTERVIEWS

Scott Colley: Music Architect

Read "Scott Colley: Music Architect" reviewed by R.J. DeLuke

Scott Colley can be found adding his big-toned, always appropriate contra bass to a number of settings. He's been a staple on the New York music scene for some time now, with older established musicians like Pat Metheny, Andrew Hill, John Scofield, Joe Lovano, Michael Brecker, Clifford Jordan, Herbie Hancock and many, many more. But also with colleagues like Ravi Coltrane, Chris Potter, David Binney or Craig Taborn. He's also recorded steadily, something many bassists can't say. From ...

ALBUM REVIEWS

Scott Colley: Architect of the Silent Moment

Read "Architect of the Silent Moment" reviewed by Stephen Wood

Scott Colley's ability to fuse free-form improvisation, complex meters, grooving melodies, rock harmonies and atonality has solidified his position as a New York jazz musician of the new generation. Unfortunately we live in a plagued era in which musical complexity is worth just as much as--if not more than--musical accessibility and the communication of ideas. Architect of the Silent Moment suffers from at least three of the symptoms endemic to this ailment.Symptom 1: Overplaying. Much of the record ...


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