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ALBUM REVIEWS

Neal Miner: Happy Hour

Read "Happy Hour" reviewed by David A. Orthmann

A thirty-two measure intro to “Bye, Bye, Baby" typifies the traits which animate Happy Hour, bassist Neal Miner's recent release on his Gut String Records imprint. After drummer Joe Strasser's snapping fingers establish a firm, uncluttered pulse, pianist Michael Kanan and Miner play a single chorus of eight-, four-, two- and one-bar exchanges. Their flawless execution of courtly, bebop-oriented lines simulates a continuous chain of thought. Like all of the tracks on the record, this neat prelude to Jule Styne's ...

ALBUM REVIEWS

Neal Miner: The Evening Sound

Read "The Evening Sound" reviewed by John Barron

Blurred by the multi-cultural, cross-genre jazz of today's global era, the sounds of specific geographical regions have become less prevalent on contemporary recordings. Neal Miner's The Evening Sound is an exception. Born and raised in Manhattan, and a fixture on the Big Apple jazz scene, the prominent bassist/composer has produced a disc of all-original material that is undeniably one-hundred percent New York. Inspired by the various facets of life in the city and conceived during years of sessions at the ...

ALBUM REVIEWS

Neal Miner: The Real Neal

Read "The Real Neal" reviewed by Jim Santella

A bassist’s album is sure to provide that certain sound. Neal Miner takes the melody in hand and walks it gently around the studio. His quartet prefers straight-ahead jazz with an emphasis on melody. Standards provide instant recognition, while Miner’s five swinging originals add fresh sounds. A lyrical bassist, Miner blends a rich tone and seamless phrasing into his interpretations. Mainstream jazz of this nature usually means waiting for the bass solo and hoping that the audience will stay quiet. ...


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