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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEWS

David Bixler: In The Face Of Chaos

Read "In The Face Of Chaos" reviewed by Dan Bilawsky

In The Face Of Chaos marks a re-emergence, if not a complete artistic rebirth, for David Bixler. It serves as a true inspiration, drawing beauty from pain, and peace from personal struggle. Life took an unexpected turn for the saxophonist's family when his youngest son suffered a traumatic brain injury a number of years ago. With that, logically, came a need to re-evaluate priorities. So, Bixler took a step back and did what any loving parent would do; ...

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David Bixler: The Nearest Exit May Be Inside Your Head

Read "The Nearest Exit May Be Inside Your Head" reviewed by Dan Bilawsky

Saxophonist David Bixler's ties to pianist Arturo O'Farrill have had positive and negative consequences. The positives are a raised profile, a fairly steady gig for twelve years and counting, and the opportunity to paint atop brilliantly arranged Latin platforms of varying shapes, colors and sizes for audiences around the world. So, one might wonder, what could possibly be negative about this connection, and the answer comes with one simple word: pigeonholing. This saxophonist isn't bound to a ...

TAKE FIVE WITH...

Take Five With David Bixler

Read "Take Five With David Bixler" reviewed by AAJ Staff

Meet David Bixler: Alto saxophonist, composer, and educator David Bixler has been steadily garnering attention for his unique playing and writing. Since moving to New York City from his native Wisconsin, David has performed and toured with the orchestras of Lionel Hampton, Toshiko Akiyoshi, and Duke Ellington. In 2000 he joined the Chico O'Farrill Afro Cuban Jazz Orchestra which was the beginning of several musical collaborations with GRAMMY award winning pianist Arturo O'Farrill. In 2008 ...

ALBUM REVIEWS

David Bixler and Arturo O'Farrill: The Auction Project

Read "The Auction Project" reviewed by Bruce Lindsay

Altoist and composer David Bixler leads The Auction Project, with Grammy-winning pianist Arturo O'Farrill, who has described this album as being “very much about colliding cultures." This may slightly overstate things but the album does represent what is, for jazz, a rather unusual meeting of cultures. Half of The Auction Project is devoted to Bixler's compositions, while the other half features tunes from the folk canon of the British Isles--the island of Ireland in particular. The key ...

ALBUM REVIEWS

David Bixler and Arturo O'Farrill: The Auction Project

Read "The Auction Project" reviewed by C. Michael Bailey

Stylistically, The Auction Project is slightly out-of-focus. It is ostensibly the meeting of Arturo O'Farrill's Irish-Latin roots at the corner of David Bixler and Heather Martin Bixler. However, there is much to endorse the music made here, not the least of which is the presence of the two Chico O'Farrill big band alumni. Bixler's “Heptagonesque" is the successful culmination of this Hispano-Celtic experiment, with its curious Middle Eastern flavor. Is it the curry? No, it's the violin. ...

TAKE FIVE WITH...

Take Five With David Bixler

Read "Take Five With David Bixler" reviewed by AAJ Staff

Meet David Bixler: Alto saxophonist David Bixler has been active on the New York jazz scene for the last ten years. As lead alto with the Chico O'Farrill Afro-Cuban Jazz Orchestra, he has toured the US, Europe, and Central America in addition to performing each Sunday evening at Birdland in New York City. His third release as leader, Call It A Good Deal, was released July 2006 on Zoho Music and received 3 1/2 stars in Down Beat. Increasingly active ...

ALBUM REVIEWS

David Bixler: Call It A Good Deal

Read "Call It A Good Deal" reviewed by Elliott Simon

David Bixler, who is first alto in the Arturo O'Farrill Afro Cuban Jazz Orchestra, fronts his own quintet here to deliver a session that is long on compositional dimensionality and rhythmic backbone. Bixler pairs with Scott Wendholt's razor-sharp trumpet to slice angles through these intricate pieces, and he's not afraid to take a chance with refreshingly unfettered writing. By combining with guitarist John Hart's oblique leads and dexterous chordal cleverness, they make Call It A Good Deal shine like a ...


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