Home » Jazz Articles » Mike Allemana

Jazz Articles about Mike Allemana

4
Album Review

Paul Marinaro: Not Quite Yet

Read "Not Quite Yet" reviewed by Pierre Giroux


Singer Paul Marinaro issued his acclaimed debut album Without A Song (122 Myrtle Records) in 2013. Seven years after the release of his follow-up, “One Night In Chicago" (122 Myrtle Records), and with almost a decade of performing from coast to coast at top-end clubs, including New York's Birdland, he has released Not Quite Yet, which is devoted to exploring timeless themes, such as life, love and the search for lasting connections. Accompanying Marinaro are longtime band members guitarist Mike ...

7
Album Review

Paul Marinaro: Not Quite Yet

Read "Not Quite Yet" reviewed by Richard J Salvucci


The cover of the album is vaguely noir, with the urban greenish cast of tungsten film. A sole figure leans slightly against a building, downcast, staring into his soul, and waiting out a lit cigarette when it was still hip to smoke. The guy is Frank Sinatra and the album was In The Wee Small Hours. The year is 1955. It is difficult to believe that jny: Chicago-based vocalist Paul Marinaro has even been born, but clearly, Sinatra will make ...

8
Album Review

George Freeman: Everybody Say Yeah!

Read "Everybody Say Yeah!" reviewed by Mark Corroto


It took a long time (much too long) for listeners to recognize the brilliance that was Chicago saxophonist Fred Anderson. The New York-centric jazz cognoscenti have often overlooked talent that comes from Chicago, and artists were often drawn to The Big Apple to seek the recognition they deserved. Beginning in the '90s, though, the focal point of creative music shifted to Chicago and veteran musicians such as Von Freeman, Fred Anderson, and Harrison Bankhead, plus (then) younger talents, Ken Vandermark, ...

10
Album Review

Alyssa Allgood: What Tomorrow Brings

Read "What Tomorrow Brings" reviewed by C. Michael Bailey


In the chemistry lab, solvents are said to be punctilious when they have been completely purified through filtering, distillation, and chromatography. Punctilious ether, if a sound, could be compared to the perfectly polished tone generated from lead crystal when struck with a platinum spoon. This is the level of refinement heard in Alyssa Allgood's voice on What Tomorrow Brings. Allgood has been filtering and distilling her tone over three previous recordings: Lady BIrd (Self Produced, 2015); Out Of The Blue ...


Engage

Contest Giveaways
Enter our latest contest giveaway sponsored by Musicians Performance Trust Fund
Polls & Surveys
Vote for your favorite musicians and participate in our brief surveys.

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.