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Glenn Close & Ted Nash: Transformation
by Paul Rauch
Transformation is a multi-disciplinary work from saxophonist/composer Ted Nash, and iconic actress Glenn Close, exploring the multi-faceted and abstract theme of transformation. The works included examine the theme from both universal and individual conceptions. Music and literature at its best is clearly transformative for anyone experiencing it. Transformation is by essence, the highest and most illuminating expression of change. Nash embraced the project by creating a colorful and illustrative collection of pieces, embracing Close's curated literary selections recited by the ...
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by Jack Bowers
When confronted by an album whose tracks include the names “Creation" (Parts 1 and 2), “Preludes for Memnon," “Wisdom of the Humanities" and “Reaching the Tropopause," among others, one braces for whatever may transpire, buoyed by the thought that with Glenn Close, Ted Nash and the Jazz at Lincoln Center Orchestra on board, how displeasing could it be? The verdict: not at all displeasing—but it must be appraised on its own terms, as a series of philosophical and hopefully transformative ...
read moreJazz at Lincoln Center Orchestra Septet with Wynton Marsalis: The Democracy! Suite
by Paul Rauch
There is an interesting generational divide in perception when it comes to the music of Wynton Marsalis. While many hail his work at Lincoln Center as elevating jazz to its rightful place among the fine arts, others lament the separation from his iconic quartet and quintet work in the 1980's as some sort of jazz treason. What is unquestionable is his virtuosity and eloquence, expressing each note with beauty as the clear priority in his playing as a ...
read moreFalkner Evans: Marbles
by Jack Bowers
On his fifth recording as leader, pianist / composer Falkner Evans has expanded his group size from trio (the first three) and quintet (the fourth) to sextet with vibraphonist Steve Nelson added on three of the album's ten numbers, the first nine of which were written by Evans. Even though this was a one-off, Evans' teammates are skillful enough to make it sound like a working ensemble. One reason for this is that the rhythm section (bassist Belden Bullock, drummer ...
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by Jerome Wilson
Pianist Falkner Evans has been gradually expanding the size of his recording projects. He started out with a couple of trio discs, then made one with a quintet. On this latest offering, he fronts a three-horn sextet scored to sound like a bigger and fuller unit. He uses a front line of Michael Blake on tenor sax, Ted Nash on alto sax and Ron Horton on trumpet, that is blended into a cool, reedy sound which ebbs and ...
read moreTed Nash: Live at Dizzy’s
by Maurizio Zerbo
Primo album live di Ted Nash in venticinque anni di carriera, Live at Dizzy's ne fa rilucere le superbe doti di improvvisatore e multistrumentista. Già vincitore di un Grammy Awards per la direzione orchestrale del CD Portrait in Seven Shades (2011), il cinquantottenne musicista di Los Angeles si impone altresì per una cifra compositiva sapiente e sofisticata, esaltata dalle sinuose trame per flauto-sax-vibrafono. Le magnifiche composizioni di Chick Corea, Thelonious Monk, Herbie Nichols, Johnny Mandel ed Henry Mancini ...
read moreJazz for President - Le suite di Delfeayo Marsalis e Ted Nash
by Angelo Leonardi
Gli anni sessanta sono lontani e con essi la controversia su jazz e politica. Com'è noto, la musica è un'arte asemantica e i musicisti non possono trasmettere significati (in questo caso politici) con il linguaggio delle note. Però gli artisti esprimono eventuali scelte ideologiche iscrivendo la loro musica in un quadro semantico più generale, fatto di manifesti programmatici, dichiarazioni, titolazioni di album e brani. Tutte cose che si riverberano sulla musica stessa, con effetti comunicativi per associazione. Negli ...
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