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Jazz Articles about David Bryant

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Album Review

Pan-Afrikan Peoples Arkestra: Live at I.U.C.C. 11/26/1978

Read "Live at I.U.C.C. 11/26/1978" reviewed by Danen Jobe


In November of 1978, Horace Tapscott had some advantages that any other iconoclastic, idealistic, idiosyncratic jazz bandleader would greatly desire. For one, he was approached by a socially minded professional gambler named Tom Albach about starting a label (Nimbus West) devoted to Tapscott's music, allowing complete creative control, never expecting to make a dime of profit, and providing living money to keep the band going. Another was a steady gig in the only area in the nation that Tapscott truly ...

32
Album Review

Horace Tapscott with the Pan Afrikan People’s Arkestra: Ancestral Echoes – The Covina Sessions, 1976

Read "Ancestral Echoes – The Covina Sessions, 1976" reviewed by Karl Ackermann


When pianist/composer/conductor Horace Tapscott founded the Pan Afrikan People's Arkestra (PAPA) in 1961, it was by design a support collective for all arts, bringing pride to the black community, specifically that of South-Central Los Angeles. PAPA signified social activism, teaching empowerment, and advocating Tapscott's belief that channeling African ancestral roots was a key to succeeding. Tapscott, who died in 1999, had forsaken wider recognition to bring music and teaching to his community, but his catalog has seen a revived interest ...

5
Album Review

Tony Davis: Golden Year

Read "Golden Year" reviewed by Kyle Simpler


Tony Davis definitely knows how to get things done. At 25, he has already earned a Master's Degree and is involved in musical education. He has played and recorded with some of the most notable jazz musicians around, including the group, Works for Me. With Golden Year, his first solo album, Davis captures the energy of his recent experiences and transforms it into an exciting musical offering. This record not only showcases Davis' talent as a guitarist and composer, but ...

540
Album Review

Myron Walden: Momentum

Read "Momentum" reviewed by John Kelman


Sometimes a break can be the best thing a musician can take. Not getting tired by any means, if a four-year sabbatical from recording as a leader results in as strong a comeback as reedman Myron Walden's, perhaps artists should take breaks more often. A charter member of drummer Brian Blade's Fellowship Band, Walden is back with not one, but three CDs over the next couple months. The first, Momentum, is a potent modern mainstream set that takes trumpet icon ...


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