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David Gibson: Fellowship
by Dan Bilawsky
When you strip away the most obvious elements that contribute to the creation of a magical experience in this music, the one that remains is fellowship. Camaraderie between bandmates elevates a sonic endeavor like nothing else can, heightening everything for both performers and listeners, and that's a fact that's never been lost on David Gibson. The noted trombonist has long espoused the importance of musical family--something that began to resonate on an even deeper level during the pandemic--and that high ...
read moreGeorge Gee Swing Orchestra: Winter Wonderland
by Jack Bowers
After an absence of several years the New York City-based George Gee Swing Orchestra is back in a recording studio, doing what it does best--swinging merrily through a Winter Wonderland chock-full of holiday favorites that kids of all ages can relate to and appreciate. Gee formed his first band while still in college at Carnegie Mellon University, one day after interviewing Count Basie on the campus radio station. After moving back to New York City, where he ...
read moreOrrin Evans and the Captain Black Big Band: The Intangible Between
by Paul Rauch
Pianist Orrin Evans has a deep understanding of the unshakeable bond between fellowship, humanity and the creative process. That knowledge has guided him through creating a remarkable catalog of music as both a leader and sideman, along the way, experiencing the fellowship of a collective of musicians he often refers to as “The Village." The Village is indeed real, and most aptly expressed musically through the The Captain Black Big Band, Evans' ensemble of anywhere between nine and ...
read moreDavid Gibson: Inner Agent
by Dan Bilawsky
The idea of creating a safe space to allow for disregarding safety may be paradoxical in nature, but it makes perfect sense when contextualized or couched in jazz terms. There can be no resolution of faith in one's surroundings and colleagues without taking the trust fall, there can be no reward without risk, and there can be no true growth without belief. Those ideals are jazz to the core, and they're at the heart of this project from trombonist David ...
read moreDavid Gibson: Propelling The Story Forward
by Dan Bilawsky
It's late morning on Sunday, January 17, 2016--a wintry New York day that will later see snow--and much of Brooklyn seems to be in a state of hibernation or hiding. There are few signs of life on the streets, but there's no shortage of action in the basement of the former Public School 9 Annex. That's where the studio known as Acoustic Recording is situated, and that's where trombonist David Gibson has come to record what will be his fourth ...
read moreDavid Gibson: Boom!
by Dan Bilawsky
Trombonist David Gibson's Boom!--his sixth leader date, and third release on the Posi-Tone imprint--is something of a fresh start. His two previous releases--A Little Somethin' (Posi-Tone, 2009) and End Of The Tunnel (Posi-Tone, 2011)--were cut from the same cloth, as each largely focused on funk, soul jazz, and swing; both albums also featured the same quartet--Gibson on trombone, Julius Tolentino on alto saxophone, labelmate Jared Gold on organ, and Quincy Davis on drums. Now, Gibson returns with a new group--a ...
read moreTake Five With David Gibson
by David Gibson
Meet David Gibson: Trombonist David Gibson has enjoyed a varied musical career which is deeply rooted in the genres of jazz and funk. While reared in Oklahoma, Gibson's musical journey steered him to New York City. Jazz luminary Curtis Fuller said about Gibson, “Out of all the young players I hear in the music today, David is one of very few who speaks the language of jazz." David's newest recording, End of the Tunnel, is ...
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