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A Look Back At Robert Glasper's Enoch's "Inaugural" Meditation

Read "A Look Back At Robert Glasper's Enoch's "Inaugural" Meditation" reviewed by K. Shackelford

One of the most powerful jazz documentation of a Presidential Inauguration was a YouTube presentation of Robert Glasper's “Enoch's Meditation," a piece from his 2005 album entitled Canvas. Glasper, a Blue Note artist and Grammy Award winning jazz piano star, has received critical acclaim for his trio style that weaves together a tapestry of diverse musical genres from rock, hip hop, gospel to even country, staying within the jazz aesthetic in a way that is mind-blowing. Through the ...


Robert Glasper Experiment: Black Radio 2

Read "Black Radio 2" reviewed by Mark F. Turner

The conditions have to be just right for lightning to strike twice in the same location which holds true for studio recordings where the variables of performers, music, and other factors can affect the outcome. While Robert Glasper's 2012 critically acclaimed Black Radio (Blue Note) deftly combined jazz, hip hop, and “Neo Soul" to win Best R&B Album at the 55th Grammy Awards, its follow up, Black Radio 2, is worthy but won't garner the attention of its predecessor. With ...


Robert Glasper: Slum Village, Fantastic Vol. 2

Read "Robert Glasper: Slum Village, Fantastic Vol. 2" reviewed by William Ellis

Robert Glasper: Glasgow Jazz Festival, 28th June 2012 The reason this album is special to me is because the producer of the album--J Dilla is my favorite hip hop producer and I got the privilege to actually work with him before he passed away in 2006. To work with him--watch him make music--watch him in “the lab" and see how he works. J Dilla is probably the only producer I know that changed the ...


Robert Glasper: Temptation Redux

Read "Robert Glasper: Temptation Redux" reviewed by Anthony King

"Hello world, peace and love--I wish you the best, and now for the next" are the first words uttered with the cadence of a street corner preacher-come poet by Shafiq Hussein, only two bars into Robert Glasper's Black Radio (Blue Note, 2012). As if to lay down the essence of his latest record right off the top, Glasper's piano dances mercurially over Hussein's musings like a skater creating abstract art on glistening ice. The effect is beguiling, sexy and urban ...


Robert Glasper: Black Radio

Read "Black Radio" reviewed by Eugene Holley, Jr.

Depending on your age, Houston-born pianist/composer Robert Glasper is--like trumpeters Christian Scott and Ambrose Akinmusire, and bassist/vocalist Esperanza Spalding-either the herald of a new world a-comin' when jazz musicians will be heard on pop radio on a regular basis, or he's a throwback to the golden age of the seventies, when jazz stars, from Herbie Hancock to Donald Byrd, were played on African-American and pop stations.Blessed with a fleet-fingered, countrified approach to the piano that blends gospel, Thelonious ...


Robert Glasper: In My Element

Read "In My Element" reviewed by Chris May

Pianist Robert Glasper's embrace of hip hop--which is being foregrounded by Blue Note, presumably as a device to widen his trio's appeal--is, truth be told, overstated going on misleading. For at its core, Glasper's music is everything that hip hop is not, or anyway not what it is perceived to be. In My Element--a wonderfully rounded development of the music presented by the same inventive trio on Canvas (Blue Note, 2005)--is subtle, allusive, rhythmically complex, and understated. And it's all ...


Robert Glasper: In My Element

Read "In My Element" reviewed by J Hunter

One night in 2006 the Robert Glasper Trio was tearing it up onstage, with pianist Glasper painting hypnotic patterns over the frenetic groove of drummer Damion Reid bassist and Vicente Archer. About an hour in, people started walking out--first in ones and twos, then in groups. It wasn't Ornette Coleman getting punched in the face by a scandalized audience member, but the rebuke was pretty clear. The house was half-full at show's end, and while the trio got a well-deserved ...


Robert Glasper: Canvas

Read "Canvas" reviewed by Abe Pollack

Many young jazz musicians are no strangers to pop music. More familiar with Radiohead's Kid A and Public Enemy than Jerome Kern or Cole Porter, they have become increasingly more adventurous in an attempt to make jazz a commodity for the 21st Century. Unlike glossy pop covers from the '80s, Robert Glasper uses subtlety to explore late-20th Century music. This is no surprise. Having performed with Q-Tip, Bilal and Meshell Ndegeocello, Glasper finds comfort and room to ...


Robert Glasper at Joe's Pub

Read "Robert Glasper at Joe's Pub" reviewed by Forrest Dylan Bryant

Robert Glasper QuintetJoe's Pub, NYCJanuary 13, 2006Anyone who attended Robert Glasper's January 13th set at Joe's Pub solely on the basis of Canvas, Glasper's recent recording for Blue Note, was in for a major shock. Canvas is a very well executed, compelling, but quite straightforward jazz album. What Glasper and his crew laid down at Joe's was a glimpse of the music's future, pure and simple.The casually dressed group -- with Glasper at the piano, ...


Robert Glasper: Canvas

Read "Canvas" reviewed by Mark F. Turner

In addition to unveiling gems from the past like John Coltrane and Thelonious Monk's At Carnegie Hall, Blue Note continues to spotlight the musicians of present with recordings like Robert Glasper's Canvas. Similar to Jason Moran, Jacky Terrasson, and Bill Charlap, who also record for Blue Note, Glasper has the vision and ability to create a fresh statement within the jazz piano idiom. Following on the heels of his well received 2004 debut, Mood, this recording continues to reveal his ...


Robert Glasper: Canvas

Read "Robert Glasper: Canvas" reviewed by Woodrow Wilkins

Robert Glasper Canvas Blue Note Records 2005

Wow! That's the first expression that came to mind when I heard “Rise and Shine, the opening track on Canvas. Pianist Robert Glasper's trio--including Vicente Archer on bass and Damion Reid on drums--is as tight as a unit can. This aptly named tune, sure to help many a dreary eye awaken, sizzles from start to finish. And it's just a prelude of things to come.The ...


Robert Glasper: Canvas

Read "Canvas" reviewed by Paul Olson

Houston-raised, New York-based pianist Robert Glasper's Blue Note debut is only his second CD as a leader, but one would be hard pressed to find a single argument against his being ready for the big-time jazz limelight. The 67 minutes of music on Canvas are packed with richly memorable compositions, virtuosic playing, unassumingly exotic harmony and superlative group interplay. It's the most startlingly fine debut on Blue Note in quite a while.This is, for the most part, a ...

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