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JD Walter: What the World Needs Now
by Pierre Giroux
JD Walter beckons listeners into a soulful and captivating journey through modern jazz interpretations of non-jazz material. With his unique vocal stylings and innovative arrangements, he brings a fresh perspective to familiar popular tunes, and several jazz standards, while delivering thought-provoking original compositions. From the very first track--Stevie Wonder's “Golden Lady"--it is evident that Walter's vocal prowess is a force to be reckoned with. He dashes along in full flight and then effortlessly shifts into intricate ...
read moreRyan Kisor: Power Source
by C. Andrew Hovan
Taking full advantage of what might be termed his “second wind," Ryan Kisor has grown into one of the most mature trumpeters of his generation. Back in 1990 when he impressed his elders by taking the prize at the Thelonious Monk Institute trumpet competition, things appeared promising and a major record label deal even came through the following year, but it might have been a slight case of a bit too much too soon. It seemed as quickly as his ...
read moreDavid Kikoski: Surf's Up
by C. Andrew Hovan
It seems that the show tunes of the '30s, '40s, and '50s have served as fodder for several generations of jazz musicians, either providing their own melodies for subsequent development or lending their harmonic framework for the jazz writer to use as a basis for an original tune. Most recently, we've seen attention begin to shift to popular material of the current set with some interesting results. Pianist Kenny Barron has recorded a delicate version of Sting's “Fragile," Bob Belden ...
read moreConrad Herwig: Land of Shadow
by C. Andrew Hovan
In the spirit of Miles Davis and a select number of his followers, Conrad Herwig in the course of his musical endeavors spanning some 20 years has strived to keep the music inching forward to new and previously undiscovered vistas. His versatility as demonstrated by an ability to transcend genres, be it Eddie Palmieri's Afro-Cuban muse or the repertory bent of the Mingus Big Band, also raises its head in his outstanding series of Criss Cross recordings that began with ...
read moreOz Noy: Snapdragon
by Mike Jacobs
It's an old sentiment but it still holds that great instrumental chops, enthralling as they may be, are fairly meaningless on their own. And quite frankly, they are pretty ubiquitous these days with the internet exposure machine going full tilt. Given all that, it's quite easy for the listener to become inured with technical prowess-- especially wizardry of the fretboard. So to say Oz Noy is a fantastic guitarist just isn't enough anymore. It's fortunate then that what ...
read moreLuba Mason: Triangle
by Jim Worsley
The rather smarmy “Bach, Stevie Wonder, and Janette Monae" opens this live performance. While disconcerting, the tide shifts dramatically with The Beatles' John Lennon-Paul McCartney classic “Ticket to Ride." It is reimagined in a sultry and just short of brilliant manner. Luba Mason's vocal phrasing brings an entire new essence to this tune. Bassist James Genus plays a line throughout which is a slow groove with a lot of feeling. Vibraphonist Joe Locke solos in spectacular fashion, while percussionist Samuel ...
read moreDave Douglas Quintet: Live at the Jazz Standard
by John Kelman
Trumpeter Dave Douglas' a six-night run at New York's Jazz Standard in December, 2006, was relatively revolutionary in the jazz world. Every set, featuring his longstanding quintet, was recorded and made available the following morning in downloadable MP3 format. The twelve sets included nearly everything from The Infinite (RCA, 2002), Strange Liberation (RCA, 2003) and Meaning and Mystery (Greenleaf, 2006), as well as fourteen new pieces. Live at the Jazz Standard collects the best performances of this new material into ...
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