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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEWS

Sean Jones: Live From Jazz at the Bistro

Read "Live From Jazz at the Bistro" reviewed by Geannine Reid

Trumpeter Sean Jones received his master's degree at Rutgers University, and then quickly began his rise into the upper echelon of the jazz world. Serving for six years as the first-chair trumpeter for Jazz at Lincoln Center Orchestra, he toured Europe with Herbie Hancock, Marcus Miller and, with Wayne Shorter, in a Miles Davis project; he is also now in his fifth year as a member of the SFJAZZ Collective. Heavily involved in education, Jones has taught at Duquesne University, ...

ALBUM REVIEWS

Pittsburgh Jazz Orchestra: Joyful Jazz

Read "Joyful Jazz" reviewed by Jack Bowers

One way in which to launch an appraisal of this outstanding seasonal album, the first ever by the world-class Pittsburgh Jazz Orchestra, is to check out its candid--and uncommonly accurate--title. Joyful? Most definitely. Jazz? Without a doubt. For five years, the orchestra's annual holiday celebration has been a welcome tradition for families in the greater Pittsburgh area; now, the ensemble has decided to spread the good cheer to a wider audience by re-creating its exhilarating brand of Joyful Jazz in ...

NEW YORK BEAT

The Pittsburgh Jazz Festival

Read "The Pittsburgh Jazz Festival" reviewed by Nick Catalano

It is difficult to overestimate the importance of jny: Pittsburgh in the annals of jazz history. Just a few of the legendary names--Ahmad Jamal, Errol Garner, Mary Lou Williams, Billy Eckstine, Billy Strayhorn, George Benson, Ray Brown, Stanley Turrentine--are sufficient to raise the proverbial jazz fan eyebrows. I actually performed there in the halcyon days of bebop and so it was the memory of a gig long ago in the Hill District that drew me back to the scene.

ALBUM REVIEWS

Sean Jones: Im•pro•vise-Never Before Seen

Read "Im•pro•vise-Never Before Seen" reviewed by Dan Bilawsky

Sean Jones, the former lead trumpeter of the Jazz at Lincoln Center Orchestra, never hides behind anything or anyone when he plays. That being said, it's still worth noting that he's pulled back the curtain on this one, revealing more of himself than in the past. This album--his seventh album in ten years on the Mack Avenue imprint--has no overdubs, no percussive window dressing, no other horns sharing space in the front line, and no guests. It's Jones at his ...

INTERVIEWS

Sean Jones: Progress and Passion

Read "Sean Jones: Progress and Passion" reviewed by R.J. DeLuke

Trumpeter Sean Jones is always moving forward, developing his sound and getting involved in jazz elbow-deep, believing in its richness and its importance as an American art form. He wants to make an impact and he's doing that, whether with the prodigious technique displayed in his solo projects and spots as a sideman, or as an educator. And lately, it's also directing big bands, because he believes jazz needs to be presented in an orchestral setting.Jones was the ...

ALBUM REVIEWS

Sean Jones: No Need for Words

Read "No Need for Words" reviewed by Raul d'Gama Rose

Trumpeter Sean Jones has something to say and he says it in his inimitably bright, clear and soaring voice. This is clearly why he is fast becoming associated with the renaissance of the instrument that was brought about by an early mentor, Wynton Marsalis. Jones is a deeply spiritual player. His impulse to adorn notes with joyous phrases and lines comes from gospel roots. He preaches as he lets his trumpet sing and he urges his ensemble of players the ...

ALBUM REVIEWS

Sean Jones: The Search Within

Read "The Search Within" reviewed by Edward Blanco

With The Search Within, his fifth recording on Mack Avenue Records, Sean Jones continues the musical journey he first embarked on at the tender age of 24 with his 2004 debut, Eternal Journey. A trumpeter, composer and educator (Professor of Trumpet and Jazz Studies, Duquesne University), Jones is one of the finest young trumpeters in the business, recognized for his “lyrical fluidity and high-tier facility," which he ably demonstrates on this recording with both his trumpet and flugelhorn work.


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