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Jazz Articles about Jason Brown
Dmitry Baevsky: Kids' Time
by David A. Orthmann
Dmitry Baevsky is a jazzman in his middle years, a period when many players consolidate youthful influences and put their stamp on the rarefied practices of the mid- to-late 20th century. The alto saxophonist has recorded for several labels, and travels widely as a leader and sideman; to his credit, he continues to give the impression of a work in progress. While Baevsky seldom strays very far from a specific set of stylistic parameters, namely bebop, he does not coast, ...
read moreXhosa Cole: Ibeji
by Karl Ackermann
Few places on the global jazz scene are enjoying the enthusiastic resurgence of the genre more than the UK. Names that are becoming more familiarBinker Golding, Nubya Garcia, Idris Rahman, Shabaka Hutchings and othershave triggered something of a youth movement. Emerging in that group is yet another top-notch saxophonist, Xhosa Cole. Cole's sophomore release, Ibeji is full of terrific music, wrapped in a missed opportunity. Ibeji takes its name from the Yoruba religion, and features six percussionists individually ...
read moreAlex Hitchcock: Dream Band
by Geno Thackara
Alex Hitchcock has a lot of energy and a lot of ideas; four recordings have apparently left him in no danger of running out. Clearly it helps to have met plenty of friends and collaborators along the way. Besides the mutual inspiration that arises between generous players, he knows he will probably have a voice available (instrumental or literal) for just about any germ of a song that arises. Where each previous recording revolved around a single lineup, the cast ...
read moreOrrin Evans and the Captain Black Big Band: The Intangible Between
by Paul Rauch
Pianist Orrin Evans has a deep understanding of the unshakeable bond between fellowship, humanity and the creative process. That knowledge has guided him through creating a remarkable catalog of music as both a leader and sideman, along the way, experiencing the fellowship of a collective of musicians he often refers to as The Village." The Village is indeed real, and most aptly expressed musically through the The Captain Black Big Band, Evans' ensemble of anywhere between nine and ...
read moreJason Brown
by David A. Orthmann
Six years ago I started writing the Rhythm In Every Guise" column as a reaction to an imbalance that had crept into my record reviews. In many instances I was writing lots about the drummer at the expense of everyone else on the recording. The column became a means of paying tribute to venerable drum set artists, as well as a way of spreading the word on lesser known trapsters.In a February 2009 review of Vitaly Golovnev's to ...
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